Tag Archives: Yahtzee

Boardgames in the News: What are “Roll and Write” Games?

In the last few years, “Roll and Write” games have been everywhere, but what defines them and what let to the rise in their popularity?  Well, their roots lie in simple dice games, which are as old as the hills, but arguably the first “Roll and Write” game is Yahtzee, a game that is now a childhood classic.  Although the commercial game dates from the 1950s, the game is based on the older family of traditional games, including Yacht, Generala, Poker Dice etc..

Noch Mal!
– Image by boardGOATS

The idea is that players roll five dice to try to get specific combinations, re-rolling some, all or none up to three times.  These fall into different categories each of which can only be scored once and are crossed off on a scoring sheet.  This roll and re-roll mechanism has been used as the basis of many more modern games like Pickomino (aka Heck Meck), To Court the King and even Roll for the Galaxy, but these are not “Roll and Write” games, they are dice games.  More dice games with a “Writing” element, followed as well though.  These include Reiner Knizia’s Decathalon, the Catan Dice Game, and Roll Through the Ages: The Bronze Age with its subsequent series of games.

Roll for the Galaxy
– Image by boardGOATS

Perhaps the most influential game of this type, however, is Qwixx.  In this game, each player has their own score-sheet with four rows, numbered two to twelve, each in a different colour.  On their turn, the active player rolls six dice: two white and one of each of the four colours. The active player can mark off the sum of one white die and one coloured die in the row of the same colour, while everyone else can mark off the sum of the two white dice on any one of their four rows.  The catch is that the numbers must be crossed out in order: descending for the blue and green rows, ascending for the red and yellow rows.

Qwixx
– Image by boardGOATS

And that is the core that really makes a “Roll and Write” game:  the decision making.  While there is no industry recognised definition, it is widely understood that games that fall into the “Roll and Write” category have the following key characteristics:

  • A randomiser: traditionally dice, but some games use cards etc.;
  • A key element of decision making;
  • Individual work sheets, which are more than just a score pad.

Qwixx was published seven years ago, and was popular in its own right receiving a nomination for the Spiel des Jahres award in 2013.  Its legacy, however, is the way it helped to open the door for other games in the genre.  Noch Mal! (aka Encore!) followed in 2016 and in 2018, “Roll and Write” games really took off.  Yahtzee, Quixx and Roll Through the Ages have now been followed many other very popular and successful games including, Welcome to…, Ganz Schön Clever! (aka That’s Very Clever!), Railroad Ink, and Cartographers: A Roll Player Tale.  Between them, these games have received two Kennerspiel and two Spiel des Jahres nominations.

Ganz Schön Clever
– Image by boardGOATS

There are now, hundreds of “Roll and Write” games available and new games continue to arrive, each with their own twist: some based round rolling dice, some involving a deck of cards, and there are even games now that involve cutting out!  But what is the appeal, and why the sudden growth in this genre?  For the publisher they are obviously cheap and relatively easy to produce, often needing little in the way of complex or bespoke components.  In a squeezed market this is very important.  For designers they are easy to prototype and many of these games are relatively easy to play-test too.  This is because they can often be played solo, and the mathematics of probability are well understood (by mathematicians at least).

Cartographers: A Roll Player Tale
– Image by boardGOATS

For gamers, the low price of these games means financial investment is typically small.  They are usually quick to learn and don’t over-stay their welcome either, which means they are low risk and if they “click” they also can see a lot of table time.  They are easy to play remotely too, because players just need pens and a work-sheet each, and access to a web camera.  And thus, the timing of the rise has been serendipitous: with so many people stuck at home this year, “Roll and Write” games are really coming into their own now.  It remains to be seen whether their popularity will continue into 2021 and beyond.

Noch Mal!
– Image by boardGOATS

5th September 2017

As people arrived slowly, the evening started out with a few rounds of Love Letter.  The archetypal “micro game”, Love Letter is a simple filler game that we’ve played a lot in the past, but less so recently.  The idea is that players have a single card in hand and, on their turn, draw a second and choose which one to play.  There are only sixteen cards in the deck and each has a value and an action.  The action is carried out when the card is played and the player with the highest value card at the end of the game is the winner.  The game is not high on strategy, but is ideally suited to playing while doing other things (like eating pizza), so it is very light hearted and can often generate lots of silly moments with this time being no exception.  When Blue drew the second highest card, the Countess, she got carried away and chose to play the Prince she already held.

Love Letter
– Image by boardGOATS

Unfortunately, the special action for the Countess is that if a player has a Prince or the King as well as the Countess she must discard the Countess (thus revealing information).  Without thinking properly, she played used Prince’s action on Green who was forced to discard the Princess, putting him out of the game.  Too late Blue realised her error and she apologised profusely as Green grabbed his card back and she played her Countess instead.  When the next player, Burgundy, then draw a Guard card giving him the chance to assassinate any card he could name, everyone knew that Green’s days were numbered, though they were reckoning without Burgundy’s bad memory!  Completely unable unable to recall the card Green had been forced in error to reveal, he incorrectly named the King and Green lived on.  In the long run, nobody really benefited from the confusion though, with almost everyone taking one round, we played sudden death and it was Pine who ultimately emerged victorious.

Love Letter
– Image used with permission of BGG contributor thatmadgirl

With everyone present it was time for the “Feature Game”, Chariot Race, which is a fairly quick-playing Yahtzee style dice game with a horse racing theme, but actually has more of a feel of King of Tokyo (that we played last time) than anything else.  Players take on the role of charioteers participating in a great race in ancient Rome with the aim being to use dice to complete two laps of the dusty arena and be the first to steer their chariot over the finish line.  On their turn, the active player rolls a number of dice dependent on their speed on the previous turn, with faster chariots rolling fewer dice.  Each face of the six-sided dice allows a different action: Gain new Favors; increase or decrease speed; change lanes, or attack opponents (either directly by hurling javelins or indirectly by dropping caltrops in their path).  If the first roll is not satisfactory, the player can re-roll any or all of the dice.  They can re-roll a second time or turn one die to their chosen face, but to do that they must cash in some of the favour of the goddess Fortuna.  Favours of Fortuna are useful for repairing chariots too, and as there is a large kamikaze element to the game, Favours prove very useful indeed.  Once the dice roll is set, the active player moves their chariot forward according to the final speed they achieved, swerving to avoid rivals, caltrops and potentially devastating piles of rocks and the first player to drag their wreck of a chariot across the line for the second time is the winner.

Chariot Race
– Image modified from original by BGG contributor JackyTheRipper

The game is supposed to be a quick little fun racing game, but it turned out to be everything but quick. This was probably the fault of the players as much as anything else as everyone seemed to get bogged down in analysing all the options.  With seven people present and Chariot Race, playing a maximum of six, Ivory kindly offered to team up with Green who was feeling a little out of sorts, but they were in complete agreement that they should start at the front of the grid.  In contrast, Black decided to start at the back, hoping that others would see him as less of a threat and maybe take each other out leaving him an easy run in.  In practice, it turned out that the back was a particularly bad place to be as Black struggled to avoid everyone in front of him and consequently picked up a lot of damage, soon wrecking his chariot and joining the rows of spectators cheering on their heroes.  Burgundy was quick to follow when the wonky donkey pulling his chariot sped up suddenly and accidentally invented a new Roman form of skittles when he crashed into everyone else in turn.  The problem with that was that although everyone took damage, each collision caused damage to Burgundy’s chariot eventually turning it in to match-wood.

Chariot Race
– Image modified from original by BGG
contributor JackyTheRipper

Starting at the front, the Green/Ivory chariot made a very quick start and took an early lead.  Blue gave chase starting with a recklessly high speed and a “go down in a blaze of glory” attitude.  Pine was a little more circumspect, but made good ground early on.  Purple on the other hand, started towards the back of the grid, made a slow start and was obstructed by the wreckage of Black’s and Burgundy’s chariots at the start of her second lap.  Blue and Green/Ivory tried to impede each other with Blue chucking spears and Green/Ivory dropping caltrops.  As Green/Ivory approached the end of their second lap, Blue was just behind.  So as Green/Ivory crossed the line running on empty they were speared by Blue on the next turn and their wheels fell off their chariot.  Blue crossed the line with a bit to spare and was quickly followed by Pine who couldn’t quite pass Blue so chucked a spear at her to make up for it.

Chariot Race
– Image by boardGOATS

That just left Purple.  With a lot of ground to make up, the odds were always against her and everyone joined helping her to try to cross the line or take out Pine or Blue.  Sadly it was not to be and she decided that if she couldn’t influence the race, she would go out with a bang and smashed her chariot to smithereens on a rock.  So, a game that was listed as taking less than an hour had taken over two and only a third of the chariots playing had made it to the finish line.  It didn’t matter who won though, it had been a lot of fun.

Chariot Race
– Image modified from original by BGG contributor JackyTheRipper

With Chariot Race taking so much time though, we were limited by what else we could play.  Before long there was a debate about the options, including all out old favourites like Saboteur and 6 Nimmt!.  In the end Bohnanza won as a game we could all play without thinking, and Burgundy was reaching for the familiar yellow box from his bag.  The game is one of our old staples, is quick to learn and keeps everyone involved throughout.  Often the simplest of mechanisms are the most effective an that is the case of Bohnanza:  players cannot rearrange the cards in their hand and must play them in the order they arrive.  Thus, on their turn, the active player first plays the first card in their hand with the option of playing the second if they desire.  Once they’ve been planted, two cards are drawn which can be traded, but must be planted by someone.  This can lead to free gifts, but also players being nasty and refusing to take even the apparently most lucrative trades

Bohnanza
– Image used with permission of BGG contributor spearjr

This time, Burgundy started strongly, as did Pine and Ivory.  Black struggled consistently to get the cards he wanted, and with so many people playing, everyone had to be quick or they would miss out.  It was a very tight game with players mostly being nice to each other though everyone was typically reluctant to give Burgundy any easy trades, he got plenty anyhow.  As everyone totaled up the scores, it was clear there wasn’t much in it.  Five of the seven players ended the game with either nine or ten coins, but it was Purple who just sneaked in front finishing with eleven to win by a nose.  And with that, it was time to go home.

– Image by boardGOATS

Learning Outcome: Games sometimes take a lot longer than it says on the box.

22nd August 2017

It was a quiet night thanks to work and holidays, and for a long time looked like it might just be a clash of colours between just Magenta and Pink, but gradually others rolled in, just in time for the “Feature Game”, Survive: Escape from Atlantis!.  This is a fairly light game, with a vicious edge that only really works if players engage fully in the “take that” elements.  Basically, each player has set of meeples, each with a number on the base which equates to their value.  With Blue away for work, everyone was keen to take the opportunity to play blue for a change, but Burgundy got in first.  The aim of the game is for players to get their meeples safely to the mainland on the four corners of the board before the volcano erupts and kills them.  To this end, the game begins with players taking it in turns to place their meeples on the hexagonal tiles that make up the central island.   There are actually quite a few things to consider here.  Firstly, the tiles flood in order with the coastal low-lying beach tiles sinking beneath the waves first, then the forest tiles, and finally the grey mountainous tiles.  So, starting on a mountain means there is more time to make arrangements before a vindictive player can sink that hex dumping the unfortunate meeple into the drink.  However, the meeple in question may have to travel some distance across the island to get to the coast, which will take time and actions, both of which are limited.

Survive: Escape from Atlantis!
– Image by boardGOATS

The other major consideration when placing meeples are their value – each player has ten meeples and their values range from one to six.  The winner is the player who gets the highest total value home, so getting a six home is far more important than getting a one to safety.  For this reason, positioning the high value meeples well is critical, on the other hand, placing them first might telegraph that they are the most important meeples, putting them at risk later.  Critically, once they have been placed nobody, not even their owner, can look at the number on the bottom.  So remembering where the high value meeples are also vital to success, as is deciding whether to put the high value meeples together and potentially in the same boat, risking other players attacking it, but ensuring that all efforts can be focussed in one direction.  In general, each hexagon can only hold one meeple, so the available choice steadily decreases during set up.  The base game only plays four, but more can be accommodated with a mini expansion that adds extra pieces in two new colours.  The rules state that everyone should place only eight meeples (returning a one and a three to the box), but we didn’t realise this until people had begun placing so we used the “overpopulated” variant where players place their extra pieces on hexes that are already occupied once the island is at capacity.

Survive: Escape from Atlantis!
– Image by boardGOATS

Once all the meeples had been placed and were jostling for position, the game began in earnest.  On their turn, each player does four things:  play a tile from their hand; move their meeples; remove a tile (carrying out the action if appropriate or adding it face down to their hand), and finally roll the red Creature Die.  Players have three movement points and can use them to move any combination of their meeples and/or boats up to a total of three land or sea spaces.  There are a few rules associated with these, for example,”swimmers” can only move one space per turn because they tire easily, and once they have left the island, they cannot return.  Similarly, it only costs one point to move a “dry meeple” from land to a boat in a neighbouring space, whereas a swimmer must be in the same space as the boat and then it takes a movement point for them to climb over the side.  While anyone can move empty boats, only the player with the largest number of meeples can move an occupied boat.

Survive: Escape from Atlantis!
– Image by boardGOATS

Once the active player has moved his meeples, he then removes one tile from the island, tipping any residents into the sea and then secretly looks at the underside of the tile.  Each tile has different effect with some spontaneously creating whales, sharks or boats out of thin air, while others allow players to hitch a ride on a passing dolphin or cause sharks to magically vanish into the ether.  There are three different types of tile, green bordered to be played immediately; red bordered to be kept for later and played at the start of a later turn; and tiles with a red cross which are also kept but are played on another player’s turn (typically in response to them moving a shark into an attacking position or similar).  Finally, after the tiles have been dealt with, the active player rolls the Creature Die, and then move the creature of that type of their choice.  There are three types of creature.  Whales move fast (up to three spaces) and attack occupied boats, turning them into matchwood, but they leave swimmers alone.  Sharks, on the other hand, move a maximum of two spaces and will happily scoff any swimmers they come across, but can only circle boats looking longingly at their occupants.  Sea monsters are the slowest movers travelling only one hex at a time, but are also the most hazardous, smashing boats and then eating the contents.

Survive: Escape from Atlantis!
– Image used with permission of BGG contributor jsper

For the most part, everyone had distributed their meeples evenly over the island, but Green went for the mountain spaces first so his were a little land-locked in the early part of the game.  Perhaps it was just as well for him though, as everyone started out aggressively and got more so.  There were a lot of whale tiles early on, so boats didn’t last long and no mercy was shown to swimmers at all. Even being nice and trying to make allies didn’t work, so when Pink tried to be nice by moving his boat towards one of Magenta’s swimmers she didn’t repay him in kind.  It’s true that Pink might have had an ulterior motive thinking it was less likely she would attack his boat it if it had one of her own meeples in it, but setting a shark on two of his swimmers was arguably uncalled for.  He got his revenge though when he used a whale to sink one of her boats and parked a shark in the neighbouring hex.  Meanwhile, there was a brief uneasy truce between Green, Burgundy and Ivory as they shared a boat and, with so many people with a vested interest and Pink and Magenta still at war, all three made a rapid crossing.

Survive: Escape from Atlantis!
– Image by boardGOATS

It wasn’t long before all the beach tiles had gone and then all the forest tiles too.  Then everyone was on tenter-hooks waiting for someone to turn over the volcano tile triggering the immediate end of the game.  There are eight mountain hexes, so the probability started out as one in eight, then one in seven, then one in six…  And then Green turned over the fourth mountain tile signalling the end for Pink’s swimmer who had nearly made it to land and Ivory’s boat which disappeared beneath the waves as it filled up with lava.  That just left the scoring.  Burgundy had got three of his meeples home closely followed by Ivory and Magenta who had saved two each.  The number of meeples is largely irrelevant however, as it is the sum of the value of the meeples that is key, and although it looked like a close game, in the end it was much less close than everyone thought.  Almost all of the high value meeples had been eaten or drowned and only Ivory had managed to save any, rescuing both his five and his six point meeples.  That left him with eleven, a clear margin of victory over Burgundy who finished with a creditable seven, taking second place.  It had been fun though, and Pink, who had played it most recently concluded that it was very different with lots of players as it’s a lot easier to end up getting eaten or sunk since it’s a long time between turns delaying the chance to deal with “the impending sea serpent of doom…”.

Survive: Escape from Atlantis!
– Image by boardGOATS

Everyone hadn’t got the aggression out of their systems, so it was out with King of Tokyo for a bit more “take that” style gaming.  This is another “light, but vicious” game where players are mutant monsters, gigantic robots, and strange aliens—all of whom are destroying Tokyo and whacking each other in order to become the one and only, undisputed master of the city.  At the start their turn, the active player rolls six dice, each of which show six symbols each of which has a different effect.  The active player gets three successive throws over which they can choose whether to keep or discard each die.  The dice are used to get points, restore lives, acquire energy and attack other monsters.  Lives and points are tracked using a dial and the aim of the game is to be the first to reach twenty points.

King of Tokyo
– Image used with permission of BGG contributor mikehulsebus

At its core the game uses a three roll, keep or re-roll system similar to that used in Yahtzee, but there is a little more going than that.  In addition to cute standee-monsters and the scoring dials, there is also a small board representing Tokyo.  At the start of the game, Tokyo is empty, but the first player to roll at least one paw (attack) on the dice and choose to use it can move into Tokyo.  Once Tokyo is occupied, it will not be empty again during the game.  Monsters in Tokyo can only damage monsters outside the city and monsters outside Tokyo can only attach monsters inside the city.  This means that a player in Tokyo is a target for all the other monsters.  On the other hand, rolling an attack die while in Tokyo deals damage to everyone else increasing its value.

King of Tokyo
– Image used with permission of BGG contributor msaari

Tokyo is also important because when a Monster enters Tokyo the player earns a point for doing so, furthermore, if a Monster is still in Tokyo at the start of their next turn then the player earns another two points, and will continue to earn points for every round they stay there.  This is perilous, however, as they will be the subject of every attack someone makes from outside Tokyo and monsters in the city are not able to heal themselves.  With five players, there is room for two monsters in Tokyo, which means there is one less outside, but that is only the case until a monster inevitably succumbs to their injuries.  Once a player is in Tokyo, the only way to get them out again is to keep attacking them, until their nerve fails and they decide to leave making way for the attacking monster.  By this time, of course, it may be too late and too much damage has been done for them to be able to heal sufficiently.

King of Tokyo
– Image used with permission of BGG contributor Toynan

In addition to attacking and healing, the dice can also yield energy.  For each lightening bolt rolled and kept, the active player gets a green energy cube, which can be used to buy power cards.  These come in two main types,  “Keepers”, that can be used repeatedly, or “one off” cards that are discarded when used for their benefit.  They are potentially very valuable, especially if bought early in the game and can be used repeatedly.  Finally, it is also possible to score points from the dice by rolling three of the same numbers.  For example, rolling three “twos” will give two points, however, rolling two will score nothing which makes going for these quite a gamble.  The game ends when either one player gets two twenty points or there is only one monster left standing.

King of Tokyo
– Image used with permission of BGG contributor msaari

The game continued the aggressive theme of the evening.  Magenta and Burgundy were first in Tokyo and survived the whole round picking up the bonus points.  Pink then attacked and both Magenta and Burgundy fled with their tails firmly between their monstrous legs.  On his next turn, Burgundy was able to hide and heal, but Magenta was not so lucky being forced to attack and go back into Tokyo.  Sadly, this proved fatal and she was quickly out after accruing just seven points.  At this point Green was looking very strong with a powerful hand, in particular the “Evacuation Orders” which caused everyone else to lose five points.  This meant that when Pink quickly followed Magenta out of the game (finished off by Ivory) he went with no points at all.  Meanwhile, Burgundy was slowly rebuilding his health and was able to keep the other remaining players at a minimum.  Ivory was next, making it a battle to the death between Burgundy and Green, a battle that Burgundy eventually won after much blood was spilt.  Although it was still early, all the savagery had been tiring and everyone opted for an early night.

King of Tokyo
– Image by BGG contributor Schaulustiger

Learning outcome:  Being nasty can be very hard work.

29th December 2015

The pub was very busy, and with one chef down with the lurgy (which had got four of us as well), food was delayed. So, unusually, we started off with a quick game. Expecting more people, we decided to play something short, and opted for Qwixx. This game was designed by Steffen Bendorf who also designed The Game (which has been popular with the group this year) and was nominated for Spiel des Jahres in 2013. So, it has a good pedigree, however, when it was nominated there were a lot of comments about its suitability and eventually, it was beaten by Hanabi, which most people agreed was a better game. We finally got the chance to give it a go in October and generally felt that although the rules made for a promising sounding filler, the resulting game was disappointing. Given how some people continue rave about it though, we’d were keen to give it another try and see if we’d been mistaken.

Qwixx
– Image used with permission of BGG contributor punkin312

Qwixx is a very simple game: each player has a score card displaying the numbers two to twelve in the four different colours, red and yellow ascending and blue and green ascending.  On their turn, the active player rolls six dice, two white, and one of each of the colours, red, blue, green and yellow.  Every player may cross out the number corresponding to the sum of the white dice. The active player may then also cross out a coloured number corresponding to the sum of one white die and one matching coloured die. If the active player cannot or chooses not to cross off a number, then they must tick a penalty box, which costs them five points at the end of the game. The snag is that although numbers can be skipped, they must be crossed off in order, red and yellow ascending, blue and green descending.

Qwixx
– Image by boardGOATS

Points are scored for the number of each colour crossed out and penalties subtracted; the game ends when one player has picked up four penalties, or players have crossed off the last number for two colours locking them for everyone. Scarlet, an experienced local gamer who is usually unavailable on Tuesday evenings, commented that it was a bit like Yahtzee, but with slightly more decisions to make. This didn’t further endear the game to Blue, who has bad memories of playing Yahtzee as a child. Scarlet did manage to demonstrate a modicum of strategy when he chose to cross off a sixth red number rather than his first green number since that would give more points at the end. His discovery clearly gave him a bit of an edge as he took second place, eight behind Burgundy who won with eighty.  We had a bit of discussion about what strategy there was, but it was not really enough to rescue the game in anyone’s eyes and it now faces donation to a worthy cause.

Qwixx
– Image used with permission of BGG contributor punkin312

Meanwhile, Grey and Cerise had arrived and seeing everyone else engaged decided to play a quick game of Hey, That’s My Fish!. This is a cute little abstract with a penguin theme, and, in common with games like Carcassonne, although it plays more, in many ways, it is at its best as a two player game when it is most vicious. The game is played on a grid of hexagonal tiles, with each player starting with four penguin figurines which players take it in turns to move in straight lines across the tiles. When a penguin is moved, the active player gets the tile it was sitting on, leaving a gap that cannot be crossed. Thus, the ice flow progressively melts away trapping the penguins in increasingly smaller spaces.

Hey, That's My Fish!
– Image used with permission of BGG contributor aleacarv

A number of fish is depicted on each tile, and the player with the most fish at the end of the game, i.e. when there are no more valid moves, is the winner. This is just the sort of game that Grey likes, deliciously savage with plenty of opportunity to go for the jugular and for a while he had Cerise under the cosh. Her delight at the end was obvious though when the final reckoning put her four fish clear.  With food imminent for those who hadn’t yet eaten, and Green expected, we decided to split the group and start the “Feature Game”, Broom Service.  This game uses the role selection mechanic from Witch’s Brew (a game we played a few weeks ago), but adds much more with a board and a delivery mechanic.  Witch’s Brew was nominated for the Spiel des Jahres in 2008, but was beaten by Keltis (a boardgame equivalent of the popular two player card game Lost Cities), but its reincarnation, Broom Service, won the Kennerspiel des Jahres this year.

Broom Service
– Image used with permission of BGG contributor punkin312

Like Witch’s Brew, players start with a hand of character cards from which they simultaneously choose a subset in secret. The start player then chooses a card and announces they are that character declaring they are either “brave” or “cowardly”. The other players then must follow suit if they hold that card. If a player is cowardly they take a lesser reward immediately, but if they are brave, they must wait until the end of the round to see if they get a reward. Once everyone has declared their position, the last brave player takes a greater prize and anyone who was brave earlier in the round gets nothing.  The character cards come in three types, Gatherers (who provide ingredients), Witches (who allow players to travel to an adjacent region) and Druids (who deliver potions to the towers). There is also the Weather Fairy who charms away clouds using magic wands.

Broom Service
– Image used with permission of BGG contributor punkin312

The rules are modified by event cards that are revealed at the start of the round, and with less than five players, the game is also made tighter by the inclusion of “bewitched” roles (cue Burgundy and Pink demonstrating how to wiggle-twitch their noses like Tabitha). The game is considerably more complex than the cute theme and artwork imply. Compared with Witch’s Brew, there are also a number of small rules that it is difficult to remember at the start, though they are in keeping with the theme.  The game ends after eight rounds, and, although points are awarded for delivering potions during the game, there are extra points for weather clouds and sets of potions collected.

Broom Service
– Image used with permission of BGG contributor punkin312

Grey quickly got his nose in front delivering potions early, but Scarlet and and Cerise followed suit and kept the points difference down. It didn’t last however, and before long, Grey had moved his witches away from everyone else’s into the south-east corner of the board where he was able to score heavily without competition.  Despite Cerise’s best efforts with the Weather Fairy and Scarlet’s set collecting, Grey had an unassailable lead and finished nearly thirty points clear with ninety-three points. Second place was much closer, however, Scarlet taking it by just two points from Cerise.

Broom Service
– Image used with permission of BGG contributor punkin312

Meanwhile, once the matter of food had been dealt with, Blue, Pink and Burgundy were debating what to play. It had been narrowed down to Snow Tails or Snowdonia (with Pink requesting an expansion to add interest), when Green appeared, newly arrived from visiting relations over Christmas. He was keen to play Snowdonia, so that sealed the deal, with the Jungfraubahn expansion added as a sweetener.

Snowdonia
– Image by BGG contributor duchamp

The base game is not that complex and we’ve played it a few times, however, it is one of those games that somehow everyone struggles to remember how it works. With both Burgundy and Blue suffering with Seasonal Lurgy, adding the expansion was always going to make things more complicated too.  The idea is that players take it in turns to place their workers in the seven possible actions, which are then activated in order. These actions include, visiting the stockyard; converting iron ore into iron bars; digging to remove rubble from the track-bed; laying track; building part of a station; taking contract cards; and surveying the route.

Snowdonia
– Image used with permission of BGG contributor aleacarv

There are two twists: the weather and the game. The stockyard is refilled from a bag, and there are small number of white cubes in the bag which, when drawn cause the game to play itself. This mechanism came about because the designer dislikes players who hoard resources, so in this game, if people don’t keep things moving, the likelihood of white cubes coming out increases and the game moves along on its own. The other interesting mechanism is the weather which increases and decreases the digging and track laying rate making players’ timing key.

Snowdonia
– Image used with permission of BGG contributor winterplum

Green, Pink, Blue and Burgundy were still setting out the game and trying to work out what modifications the Jungfraubahn expansion made, when Broom Service finished, so Grey, Cerise and Scarlet played a quick game of Cosmic Encounter. This is a game they were all familiar with, though we’ve not played it on a Tuesday night before.  The game is reasonably straight forward, with each player leading an alien race trying to establish colonies on other players’ planets with the winner the first player to have five colonies on planets outside their home system.

Cosmic Encounter
– Image by BGG contributor RRunner

On their turn, The active player becomes “The Offense”. The Offense encounters another player on a planet by moving a group of his or her ships through the hyperspace gate to that planet. They draw cards from the destiny deck which contains colors, wilds and specials. The Offense then takes the hyperspace gate and points at one planet in the system indicated by the drawn destiny card. The Offense and The Defense both commit ships to the encounter and both sides are able to invite allies, play an encounter card as well as special cards to try and tip the encounter in their favour.  The game was close with lots of too-ing and fro-ing, but Cerise was the one to finally successfully establish five colonies, with Grey and Scarlet finishing with four and three colonies respectively.

Cosmic Encounter
– Image used with permission of BGG contributor kilroy_locke

By this time, the other group had finally sussed out what they were doing and had got under way with Snowdonia.  The Jungfraubahn expansion changes the game quite considerably replacing fog with snow which adds rubble to the track that must be cleared again before track can be built.  It also introduces dynamite which can be used to remove large amounts of rubble as well as being used to initially clear a route through the mountains before the track-bed is prepared. Added to these, the new contract cards, seemed to introduce even more bad weather than “north-wet” Wales!

Snowdonia
– Image used with permission of BGG contributor winterplum

Blue and Burgundy were both a bit slow off the mark and struggled to really get going. In contrast, Green quickly picked up an engine and Pink got a couple of valuable contract cards. With Grey and Cerise leaving, Scarlet was left as an interested spectator. Eventually, Blue and Burgundy got going, but it was a bit of a rear-guard action.  With the expansion, the game was taking slightly longer than expected, so Green, decided to take the opportunity to play Scarlet as a substitute and went home leaving the rest to finish the game without him. He had set out his plan and Scarlet did an excellent job executing it, however, Pink just had the edge.

Snowdonia
– Image used with permission of BGG contributor ansi

Green/Scarlet took a massive seventy-nine points in bonuses and with twenty-nine points for station building together with the maximum for his surveyor, they finished with one hundred and twenty-two.  The break down for Pink was nearly completely reversed with him taking seventy-eight points for station building and nearly sixty more in bonuses, giving a total of one hundred and thirty-eight, and the game.

Snowdonia
– Image used with permission of BGG contributor winterplum

Learning outcome: Lurgy does not improve gaming ability.