Tag Archives: Cryptid

UK Games Expo 2022

Today was the first day of the fifteenth UK Games Expo.  After the cancellation two years ago and the subdued event last year, it was almost back to normal this year.  On arrival, outside the NEC, there were vikings in their camp, playing Hnefatafl with their visitors.

Hnefatafl
– Image by boardGOATS

It seems blinging games has been a thing for over a millennia, as the vikings were proudly showing off their pimped out copy.  Inside, the halls were busy, but not overcrowded, though of course this was Friday, traditionally the “quiet day”.

UKGE 2022
– Image by boardGOATS

Just inside the door was the Burley Games stand with a shelf of variants of Take it Easy!—an unwanted reminder of playing games remotely through Teams for eighteen months, albeit as one of the games that worked quite well in that format.

UKGE 2022
– Image by boardGOATS

Nearby was the Oink Games stand, showing off the newly Spiel des Jahres nominated, SCOUT and just round the corner, the staff from the Oxford-based Osprey Games were obviously delighted that their game Cryptid had received a Kennerspiel nomination and were keeping their fingers crossed that it would go one further.

SCOUT
– Image by boardGOATS

Hall One was also the home to Fire Tower, a clever puzzle game with the tag line, “fight fire with fire”.

Fire Tower
– Image by boardGOATS

As well as a very smiley sheep from Catan, there were also a lot of designers about, including Tony Boydell, Alan Paul, Andy Hopwood, Bez Shahriari, Rob Harper and Matt Dunstan, all sharing their games and chatting with gamers.

UKGE 2022
– Image by boardGOATS

There were a number of interesting little British games, including Daring Dustbunnies and Deckchairs On The Titanic, which were on neighbouring stands, while Surprised Stare were selling a special tribute to the festive weekend called Corgi Dash (based on the 1986 Spiel des Jahres winner, Heimlich & Co.).

UKGE 2022
– Image by boardGOATS

Universities of Warwick, Chester and Canterbury were all present, variously advertising their courses in game design and demonstrating how gaming can be used as a learning device.  One Warwick (IATL) computer science student showed a game he designed to demonstrate the Turing Test and how people are poor at understanding randomness.

UKGE 2022
– Image by boardGOATS

There were also previews of upcoming games.   These included Namiji, a game which has the same theme and uses the same basic mechanic as Tokaido, but increases the complexity with more challenging steps along the way.  Namiji was demonstrated at Essen in 2019, but like so many things, fell foul of the global pandemic in the interim.

Ticket to Ride: San Francisco
– Image by boardGOATS

The new Ticket to Ride game which will be released later this year was also available to see and play.  It is based round the city of San Francisco and features street cars and follows the successful format of a new map and a slight rules tweak.

UKGE 2022
– Image by boardGOATS

Aside from games, there were also a lot of stands selling books, costumes, props, and scenery—these days, the distinctive aroma of singed wood pervades the aisles of games conventions as an homage to the laser cutter, which is used to make everything from wooden boxes, to houses, coasters and puzzles.

UKGE 2022
– Image by boardGOATS

All in all, the return to face-to-face conventions was a date to remember.  UK Games Expo continues until 4pm Sunday 6th June.

Spiel des Jahres Nominations 2022

The nominations for the three categories of Spiel des Jahres have been announced.  This is arguably the main award in board gaming and is the one everyone wants to win.  There are three categories, the Kinderspiel (children’s game) , the Kennerspiel (“expert’s” game) and the most desirable of all, the family award, the Spiel des Jahres.  The nominees for this year’s awards have been announced as:

In recent years, there has been an increasing tendency by the committee to reward games that challenge the conventional idea of a game.  This was certainly true with Last year’s winner, MicroMacro: Crime City, which is very different to traditional games and arguably is more a cooperative crime-solving activity using the medium of “Where’s Wally?“.  The “game” is played on a large monochrome map, with a deck of cards. The cards ask questions with the answers to the questions on the map. In turn, these lead the players to the solution to each of the sixteen cases.

– Image by BGG contributor Hipopotam

The Kennerspiel des Jahres award which honours slightly more challenging games, went to Paleo and the Kinderspiel des Jahres award winner was Dragomino, a children’s version of Kingdomino (which won the main prize in 2017).  Paleo is a co-operative campaign game, where players try to keep the human beings in their care alive while completing challenges.  With the games honoured by the main award becoming lighter over the years, we have found the Kennerpiel des Jahres is generally a better fit to our tastes.  However, campaign and legacy games are not well suited to groups where the people playing games are different from week to week, and many people don’t like cooperative games too, so it will be interesting how this award changes in coming years.

– Image by from spiel-des-jahres.de

The judges will be meeting 17-19th June in Hamburg, with the Kinderspiel award announced on 20th June.  The Spiel and Kennerspiel des Jahres announcements are a month later on 16th July in Berlin.