Tag Archives: Modern Art

Boardgames in the News: Boardgames in Magazines

The “Hobby Magazine” has a long history, so perhaps it is no surprise that, over the years, there have been quite a few gaming magazines.  War-gaming magazines perhaps go back further, but one of the first general gaming magazines was the monthly Games & Puzzles, which started a little over fifty years ago, in May 1972.  Games & Puzzles was initially published by Edu-Games Ltd. before Willow House Press took over in 1978 moving to a quarterly distribution model.  Four years later AHC Publications took over moving to a bimonthly model and rebranding as The Gamer.

Games & Puzzles Magazine
– Image of unknown origin

This wasn’t the last of Games & Puzzles however, as it came back in 1994 for a brief last hurrah lasting sixteen issues before it was finally shelved completely in 1996.  By the time Games & Puzzles was no more, several other gaming magazines had been and gone in the UK.  These include Games Review which lasted about ten years and Games International which ultimately morphed into a computer games magazine called Strategy Plus. There were also a number less fancy, “fanzines”, mostly produced using a photocopier.  SUMO was one of the best of these and ran for almost ten years, from the pilot in October 1989 to the final one in February 1998.

SUMO Magazine
– Image by boardGOATS

SUMO was a subscription pamphlet including adverts, postal games, and reviews, produced by Mike Siggins.  As a mark of the times it served, it also included a rules translation request list for German import games, something which is no longer necessary as most manufacturers now release their own translations online.  The name and subscription list for Sumo was bought by the now defunct commercial Games, Games, Games! magazine, but its spiritual successor was the quarterly Counter which lasted nearly twenty years and seventy-eight issues—the final issue was released in January 2018.

Counter Magazine
– Image by boardGOATS

Although Counter was started by people in the UK, it included contributions from gaming enthusiasts from all over the world.  Counter was succeeded by The Spirit of Games and Gamers magazine, which was started in 2018 and released with the specific mission to “continue the tradition of Sumo and Counter magazines … writing about and reviewing boardgames”.  Now known as Tabletop SPIRIT, this is an online only magazine, which highlights the reason so many of the physical magazines have been and gone.  With the ready availability of blogging and vlogging, pretty much anyone can publish their own online magazine now.

Tabletop SPIRIT Magazine
– Image by boardGOATS

Mobile electronic devices also mean these can be read anywhere and are easily transportable as well as being relatively cheap to produce and therefore cheap (often free) to the subscriber.  Although most of these are amateur, many are very professionally produced.  One such recent online production, designed to raise the profile of older games and counter the so-called “Cult of the New”, is called The Cult of the Old.  The first edition of this e-magazine was published in February 2023 and included articles on Princes of Florence, Medici, Puerto Rico, Scotland Yard and Modern Art.

Modern Art
– Image by boardGOATS

And yet, despite the advantages of the internet, there are still gaming magazines that publish physical copies and there are even new physical magazines coming out.  One of the longest running games magazine is Spielbox—although German in origin, since 2010 it has also had an English release.   Spielbox’s origins were in the earlier 1980s in Die Pöppel-Revue and its success (and also that of Spielerei) probably reflects the origin, history and cultural popularity of “Euro-style” games in Germany.  More remarkable than the success of Spielbox then, is that of the UK’s two commercially produced publications, Tabletop Gaming and the more recent release, Senet, the first edition of which came out in the troublesome spring of 2020.

SpielBox Magazine
– Image by boardGOATS

The pilot release for Tabletop Gaming came out in summer 2015 with, regular, quarterly releases starting a year later.  Its remit is, “every type of analogue gaming, from board games and RPGs to miniatures and wargames, with everything in-between.”  This makes it quite different in flavour from Spielbox and Senet, which focus almost exclusively on modern “Euro-style” games.  What makes Senet a little different to the likes of Tabletop Gaming and Spielbox is its focus on the craft, creativity and artistry of board games as well as on the games and gaming themselves.  While Spielbox and Tabletop Gaming are fairly typical, A4-sized, hobby-magazines, Senet is something of a throwback being A5-sized, with a matt finish and a quality, almost book-like feel; as such, it seems to have carved a bit of a niche for itself.

Senet Magazine
– Image by boardGOATS

While publishing a professional games magazine in the UK has been historically difficult due to the size of the market, it seems times may be changing.  Through crowdfunding, small enterprises now have an efficient way of both advancing funds and gauging interest levels prior to production.  During the relatively uncertain times of the last few years, Spielbox have used Kickstarter to finance their English Edition and in the coming months, there are plans to produce physical editions of Tabletop SPIRIT using the same means.  Together with the success of Senet and Tabletop Gaming, this suggests that our enjoyment of board games as a physical experience is mirrored in reading physical magazines about analogue games and gaming.  Whether there is enough ongoing demand to sustain all these publications remains to be seen.

Senet Magazine
– Image by boardGOATS

Golden GOAT Award Winners – 2022

As usual, the boardGOATS met just before Christmas for a party and to decide the winners of the GOAT Awards.  After pizza and crackers and the usual mayhem, the group voted for two awards:  the Golden GOAT for our favourite game and the “GOAT Poo” award for our least favourite.  Everyone had the usual three points to hand out for the Golden GOAT Award (plus a bonus if wearing Festive Attire), though a maximum of two points could be given to any individual game.  Everyone could also nominate up to two individual games for the GOAT Poo Prize.

Dice Hospital
– Image by boardGOATS

This year, there were a few games that received the unofficial “Marmite Award”, that is to say they received nominations for both the Golden GOAT and the GOAT Poo prizes.  These included Dice Hospital, Azul, Modern Art and Viticulture.  For the GOAT Poo Prize itself, there were several games that received two or three nominations, but the clear winner was Villainous – The Worst takes it All which received six nominations—quite an achievement since only five people played it and one of those wasn’t present for the vote!  Villainous is a beautiful, asymmetric card game, but one that we struggled with for several reasons, not least the fact that players had to work out how to play their own character, and we were playing it with five people which is two or three more than it needs.

Disney Villainous: The Worst Takes it All
– Image by boardGOATS

Nominations for Moment of the Year included two epic games, one of Viticulture and the other of Tapestry.  The latter nomination included the citation:  “I thought I was doing well until Ivory lapped me… twice!”  Pine also recalled Lilac nobbling him in Turf Horse RacingThe most poignant moment however, with hindsight, was last year’s UnChristmas Dinner, which was the last meeting attended by Burgundy, who very sadly, suddenly passed away just a few days later.  We all still miss him, but the fact we were joined by Jade and Plum and their partners this year is his legacy, and one we think he would have been proud of.

Mike Parker
– Image by
Pushpendra Rishi

And that just left the Golden GOAT Award for the best game of the year.  Previous winners including Wingspan, Altiplano and 6 Nimmt! were ruled out, but there were plenty of options remaining.  Lots of games received three nominations including Endeavor, Cascadia, Old London Bridge, Splendor, Tapestry and Die Wandelnden Türme  But this year, the clear winner was Everdell. This card-driven game was only played for the first time a few weeks ago, but it is planned to play it again soon with one of the expansions being the “Feature Game” early in the new year.

Golden GOAT - 2022
– Image by boardGOATS

5th April 2022

Blue and Pink arrived first and, while they were waiting for their dinner, squeezed in a quick game of Abandon all Artichokes (with the Rhubarb Promo).  This is a very quick “deck shredding” game, where players are trying to get to the point where they draw a hand that contains no Artichoke cards.  The game is really simple:  on their turn the active player takes a card from the face up market, adds it to their hand and then plays as many cards as they can before they discard the rest and draw five new cards.  If this new hand contains no Artichoke cards, the player wins.  Despite its simplicity, Pink kept saying he was confused, so given it was such a short game, it was no surprise that Blue won, and just in time too, as their pizzas turned up.

Abandon All Artichokes
– Image by boardGOATS

They were just finishing eating when Purple and Black arrived, then Pine popped in to personally deliver his apologies, before Green, Ivory and Teal joined the party.  The “Feature Game” was the Prelude expansion for Terraforming Mars, which was last played in the group a little over two years ago.  Ivory shared his memories of that game which he felt he had been doing very nicely in thank-you until Burgundy chucked a meteorite in his direction and left him scrabbling for points at end of the game.  That game had been played with the Hellas map from the Hellas & Elysium expansion, this time though, for the first try with the Prelude expansion, the group decided that maybe it would be quicker just to stick with the one new change.

Terraforming Mars: Hellas & Elysium
– Image by boardGOATS

In Terraforming Mars, each person takes the role of a giant corporation initiating projects to make Mars habitable by raising the temperature, increasing the oxygen level, and expanding the ocean coverage.  The game is card driven and at the start of each round, players draw four cards, keeping as many as they like, but paying 3M€ per card. Players then take it in turns to take one or two actions from seven available: play a card; use a Standard Project; use an Action Card; convert eight plants into a greenery tile and raise the Oxygen Level; use eight Heat to raise the Temperature; claim a Milestone, and fund an Award.

Terraforming Mars
– Image by boardGOATS

At the end of the round, players simultaneously produce, turning any energy into heat, taking finance according to the combined total of their Terraforming Rating and their M€ production level, and finally receiving all other resources according to their production levels.  The game ends once all three Global Parameters are met: all of the Ocean Tiles have been placed, the Temperature has reached 8°C, and the Oxygen Level is at 14%. Teal, Ivory and Green all knew the game reasonably well so really only needed to discuss the integration of the Prelude expansion.  This provides Prelude corporation cards that jump start the terraforming process or boost the players’ corporation engines.  During setup, as well as corporation cards and their starting hand, players are dealt four Prelude cards, of which they keep two.

Terraforming Mars
– Image by boardGOATS

The group decided to not use the advanced cards as they wanted to go home before midnight, so during set up players were dealt one base game corporation card and one corporation card from the new ones that come with the Prelude expansion.  Teal went with the Prelude Cheung Shing, which gave him 3M€ production extra and a 2M€ discount on all building tag cards.  Green wanted to use the Prelude Corporation Card no matter what it was and ended up with Vitor. This would give him 3M€ back for every card that he played with positive points. He also had to fund an award for free as his first turn.  Ivory had chosen Saturn Systems and all his other cards round that.  It was only as they were about to mark out their starting benefits that he realised it was from the Advanced deck.

Terraforming Mars
– Image by boardGOATS

Rather than force Ivory to take his other card, the group gave him another two cards to choose from and this time he selected The Miners Guild, which gave him an extra steel production and five steel at the start of the game. Every time he gained a steel or titanium through building on Mars, his steel production would increase by another one too.  Although it was a good project, it did not fully suit the other cards he had selected, so Ivory started with something of a handicap.  If anyone in the group can cope with a handicap, it is Ivory however, as he regularly wins these more complex games.

Terraforming Mars
– Image by boardGOATS

The trio then went round the table revealing their chosen Prelude Cards that give players that extra kickstart.  Ivory chose Aquifer Turbines (an Ocean tile, two Energy production and -3M€) and Mohole (three Heat resources and three Heat production). Teal went for Umni Contractor (three Terraforming Steps and extra project card) and the Allied Bank (3M€ and 4M€ production).  Green chose Dome Farming (2M€ production and one Plant production) and Society Support (-1M€ production, one Energy, one Greenery and one Heat production).  At the start Teal went straight for city building with a Standard Project, while Green and Ivory were a little more traditional with paying for project cards.

Terraforming Mars: Prelude
– Image by boardGOATS

Generation One was short and Generation Two was equally as short as Teal bought a second city, which prompted Ivory to also build a Standard Project city in Generation Three.  Teal had placed his cities in a convenient triangle to maximise points from greenery tiles when they got laid, but later in the game (before all those forests could be planted), Ivory played the Urbanisation project and built another city right in the middle of Teal’s carefully constructed plan!  Despite this, it was only towards the latter part of the game did it become clearer who’s strategy was working out and who’s wasn’t.

Terraforming Mars: Prelude
– Image by boardGOATS

Ivory had been embracing his “inner Burgundy” and grumbled that he wasn’t getting any Green tag cards, yet Teal seemed to be building nothing but Green tag projects. Green joined the grumble adding that although he’d had some good ones at the beginning with microbe actions, these just weren’t fulfilling their purpose due to the lack of Green tags in his hand.  Black commented from the next table that was why he felt that Terraforming Mars really needs to be played with the drafting variant, where hands are drafted at the start of each turn.

Terraforming Mars
– Image by boardGOATS

The group had chosen not to do this as it strongly favours more experienced players.  As Teal felt he was relatively new to the game having only played the electronic version against AI opponents on Board Game Arena, he did not want to add in extra complexity.  Black certainly had a point though and it is something to consider for next time.  With all the cards laid out, Teal commented how it was quite different from the electronic version. Seeing everyone’s cards grow gave an element of satisfaction and wonder that was missing from the computer version—even the wobbling and waving Mars on the computer didn’t make up for it.

Terraforming Mars: Prelude
– Image by boardGOATS

As for the terraforming of Mars itself, the group completed the Oceans fairly quickly and Oxygen levels also rose at a reasonable rate.  It was just so cold for most of the game though!  So, in the end, it was a race to see who could heat up the planet the most.  Throughout the game everyone all remained close on the Terraforming score track, which meant everyone had all equally contributed to the improvement of Mars and the game would be won or lost in the bonus points.

Terraforming Mars
– Image by boardGOATS

The award for most Award points went to Ivory, as he came top in two of them.  There was a debate regarding the Award Green had funded at the beginning (Scientist). Green had won clearly with four science tags, but both Teal and Ivory had none.  The question was whether they should they score nothing because they hadn’t achieved anything, or whether they should get a second place tie (and as ties are friendly in this game, both would get the points).  Ivory managed to find a thread on Board Game Geek which resolved the issue:  the designer himself stated that second place is second place, even if nothing was done to achieve it.  So Green scored five, while Teal and Ivory both got two, and the free Award from the Prelude Corporation card, Vitor, scored Green a grand total of three points!

Terraforming Mars: Hellas & Elysium
– Image by boardGOATS

Teal managed to get two of Achievements and Ivory got the third with just points for the map left (one point for each forest and for each forest tile adjacent to a players city).  Teal’s early planning came good here, as he scored eighteen points in total, while Green and Ivory took only twelve and ten respectively.  Green had been playing those bonus point projects to good effect, but although he got nine points from them, Ivory and Teal still managed five and four each.  Adding everything up, Teal was the master Terraformer with a massive seventy-four points, eight ahead of Ivory in second—who knows what his score might have been without that starting handicap.

Terraforming Mars: Prelude
– Image by boardGOATS

There are several members of the group who aren’t so keen on Terraforming Mars and others who felt it would be too taxing on a night when their brain felt a bit fried.  So those members of the group looked around for something more relaxing to play.  Lime had said he would be there, and although he was unusually late, Black, Purple, Pink and Blue decided to play a quick game of Coloretto in case he had been delayed by traffic or other unforeseen circumstances. Coloretto is a super-simple, but clever little game that we’ve played a lot, so needs little explanation: on their turn players either draw a card from the deck and add it to a truck, or take a truck and add the coloured cards to their collection. The largest three sets of chameleon cards score positively, while the other score negatively.

Coloretto
– Image by boardGOATS

Despite having played Coloretto lots of times, we still needed to check what the Golden Joker did and how it differed from the normal multicoloured Joker. This led to a brief hiatus while Pink tried to read the minuscule text in the English Rules and Blue tried to translate from the original German rules. The conclusion verified later was that it acted as a Joker, but the player who took it also got an extra card drawn from the top of the deck—this could be a good or a bad thing depending on how lucky they were. This time, Pink was ultimately the either the luckiest or perhaps the best player (the line is a fine one), with Blue the best of the rest—just.

Coloretto
– Image by boardGOATS

The foursome were just looking round for something else to play when Lime walked in wearing a suit having come straight from Reading.  His arrival altered the options as the foursome became five.  In the end, Pink persuaded everyone to play Modern Art as he was keen to play something that would make use of the recently rehoused coins he and Blue had brought back from Essen last time they went (now quite a while ago).  Modern Art is a much older game, dating from 1992, but it had been out of print for a while and we only played within the group for the first time a few months ago.  That had been a remarkably enjoyable experience though, and it definitely deserved a second outing.

Modern Art
– Image by boardGOATS

The game is simple enough to play, but difficult to play well.  The idea is that players take it in turns to auction off one of the Art cards from their hand:  if another player wins, the auctioneer gets the money, if the auctioneer wins, they pay the bank.  At the end of the round, the Art is evaluated according to the artist by determining who has the most artwork in players’ collections, with the most being the most sought-after and therefore the most valuable.  Players then sell these to the bank for the determined amount which gives them money to spend in the next round.

Modern Art
– Image by boardGOATS

The clever part (which is also the part that messes with people’s heads) is that in any given round, only Art by the three most popular artists is worth any money, however, the value depends on both the popularity in the current round and any previous rounds.  Thus, a painting might be worth £120,000 if it is by the most popular artist in all four rounds, but would be worthless if that artist was the fourth most popular in the final round.  As all the art is available for play, this is a potentially deterministic problem, however, players can try to control the game by avoiding playing some cards.

Modern Art
– Image by boardGOATS

After a strong first round, Blue began the second round well.  She took a couple of early, cheap Kaminskis followed by auctioning a couple of Kaminskis of her own.  This worked well, except that she didn’t have a fifth to trigger the end of the round and ensure they scored.  As Kaminski is the weakest artist in the tie-break and nobody else seemed keen to help her, she did not make the expected profit. Consequently, she went from having “cash to burn” to struggling, a problem exacerbated by a large winning bid on a Mondrian that didn’t come off.  Meanwhile, everyone else was making money from Blue’s mistakes.

Modern Art
– Image by boardGOATS

In addition to the unusual money allocation, different pieces of Art are auctioned in different ways:  some are sealed bids, while others are once round or highest bidder and others use a “double auction” where players sell two pieces at the same time.  The double auctions are curious affairs as, if the active player only has one artwork by the given artist (or chooses not to sell a second), they forfeit their turn as auctioneer and play skips on until another player takes up the mantle, selling one of their own together with the original piece.  This has several consequences: firstly, the new auctioneer takes all the profit, and secondly, any players between the first and second auctioneer miss a turn.

Modern Art
– Image by boardGOATS

This happened a couple of times as the group played out most rounds to the near maximum, especially as the game wore on—the final round had four Hicks, Ivorys and Okamotos before it came to an end meaning the tie breaker determined which would score.  It is an odd game and, not helped by a bit of “group think”, it was also quite a long game this time, though enjoyable, especially as it wasn’t obvious who was winning.  Black was obviously doing well, but then Lime also made a couple of good sales.  It was Pink, however who navigated the notoriously fickle art market most successfully though, finishing with £428,000, £26,000 more than Purple who took a strong second.

Modern Art
– Image by boardGOATS

Learning Outcome:  Mars has a Marmite Factor.

3rd Movember 2021

Blue and Pink were, unexpectedly, joined by Green and Lilac thanks to a clock-reading malfunction.  So while Blue and Pink were dealing with their dinner, Green introduced Lilac to Tsuro.  This is a very accessible game that we actually managed to play a little over a year ago from home, but is much better played in person.  Each player starts with a stone lined up on the edge of the board and a hand of three tiles.  On their turn, they place one of their tiles on the board next to their stone, and move their stone along the path on the tile, then replenish their hand.

Tsuro
– Image by boardGOATS

The aim of the game is to stay on the board the longest, with the last player remaining, the winner.  It wasn’t long before Lilac had Green on the ropes and Blue and Pink urged her to take her chance and finish him off.  It’s not in Lilac’s nature to go for the jugular, however, and despite the encouragement, she didn’t make the most of her opportunity.  Inevitably, Green wriggled free and it wasn’t long before he was edging Lilac off the board himself.  With the first game over, and Blue and Pink finishing their dinner, there was a little chatter before others arrived and players were deciding what to play.

Tsuro
– Image by boardGOATS

The “Feature Game” was to be Modern Art, which is an auction game where players are buying and selling art trying to make a profit with paintings valued by the number of artworks of that type that were sold.  It is an older game, nearly thirty years old, and several people had played it before, albeit some years ago.  When Green admitted that he hadn’t really enjoyed it, Pink was shocked and suggested that not liking Modern Art was akin to not liking puppies, at which point Green, much to Pink’s horror, admitted he wasn’t that keen on them either…

Modern Art
– Image by boardGOATS

Needless to say, when settling on games, Green took himself away from the slightly offended Pink and his copy of Modern Art leaving him (with his brick and sack comments), to play the “Feature Game” with Ivory, Blue and Teal.  The game is a simple, yet clever auction game, and therein lies the problem—the group has had mixed responses to auction games.  For example, the highly regarded Ra (like Modern Art designed by Reiner Knizia) received mixed responses when that was played, however, one of the all-time favourites, Keyflower, is an auction game at its heart (though to be fair it doesn’t really feel like one).

Modern Art
– Image by boardGOATS

The group (aside from Pink) was therefore slightly reticent, but went for it positively, and in the event, really enjoyed it.  Each round consists of several auctions, each of which is conducted by a player.  The auctioneer chooses one card from their hand which is auctioned according to the indicator on the card.  There are five possible auction types:  Open, Fixed Price, Sealed Bid, Once Round the Table, and Double (where two pieces by the same artist are offered at the same time).

Modern Art
– Image by boardGOATS

We were playing with the new Oink Games version, which features real modernist artwork from the likes of Mondrian, Kaminski and Ivory (who obviously has talent we were hitherto unaware of).  When the fifth work by an artist is offered for sale, the round ends (without the final auction), and the works valued.  The value depends on how many paintings were sold by that artist in the round, with the value increasing by $30,000 for the most popular.  Players then sell their art to the bank, but here there is a catch.  Players only get a return on art by the three most popular artists in that round—everything else is worthless.  The value of the art that is sold, however, is the cumulative total including increases over all the previous rounds.

Modern Art
– Image by boardGOATS

Thus, players sell their art giving them money to buy more, and more expensive art in the next round. Although the mechanics are clever, what makes the game fun is the auctioneer’s pitch as they try to describe the work they are selling and draw the other players’ attention to its clear and obvious assets and up-sell it.  One notable lot by Kaminski was initially described as “a cat’s pencil sharpener” and then to much hilarity as “a charming number depicting someone bending over picking up a fiver.”  The game ends after four rounds and the player with the most money at the end wins.

Modern Art
– Image by boardGOATS

This time, players clearly had a bit of a fixation with Kaminski with his works being the most popular in the first round, with Hick and Mondrian making a distant second and third.  The initial popularity of Kaminski inflated the perceived value of his work in the second round and, although fewer works were offered for sale, it still scored, though the Mondrian age was upon us.  The third round was dominated by the works of Okamoto, putting in a brief, but valuable appearance for those that made purchases, as it provided funds for the all-important final round.  This led to a resurgence of Hick as the most popular together with poor Ivory, who’s work had hitherto only had a brief period in the limelight in the second round.

Modern Art
– Image by boardGOATS

The eternal popularity of Kaminski continued until Blue brought the game to an end with a double auction ensuring Kaminski’s works gave a return again, and having scored in every round, they were very lucrative.  Despite the game feeling like there was a lot of ebb and flow, the final scores were remarkably close with a mere twenty grand between first and third—fine margins indeed in a game where the scores were measured in hundreds of thousands and players reserves fluctuated wildly during rounds.  It was Blue though, who made the most, finishing with $392,000, just ahead of Ivory (the gamer rather than the artist).

Modern Art
– Image by boardGOATS

Meanwhile, at the other table, Green, Lilac, Purple and Black (who also expressed a dislike of Modern Art, though not of puppies), were playing the puppy related game, Snow Tails.  This is a fun race game where players are racing dog sleds along a winding track of varying complexity.  The idea is that players have a hand of cards, which they play to adjust the dogs’ speed or apply the brake.  When they play cards, they can play up to three (one for each dog and one for the brake), but they must all have the same value.  The sled speed (how many spaces it moves) is then the sum of the dogs’ speed minus the value on the brake.

Snow Tails
– Image by boardGOATS

Additionally, the sled will drift left or right by the amount by which the two dogs’ speeds differ.  Players have to use this to negotiate corners and slalom round pine trees to get to the finish line.  The cards come from their own personal decks, and this is where the game gets clever because players have to manage the cards they play to make best use of them.  If a player crashes or goes into a corner with too much speed and exceeds the limit, they pick up a dent card.  These occupy space in the player’s hand which means they have less choice.

Snow Tails
– Image by boardGOATS

The first player to cross the line (or, in the case of a tie cross it and travel the furthest), is the winner.  The group spent far too long debating which track to use. Lilac had not played Snow Tails before so the group did not want to make it too extreme, but also not too trivial for everyone else.  In the end the group decided on a variation of “Treemendous” (chosen as it would fit on the “narrower than we would like” pub table) and swapping the first set of trees for a narrow canyon.  Through random selection, Lilac was chosen as start player, but as she wasn’t sure how the game would play she took a gentle start so Purple, Green and Black shot past her at speed.

Snow Tails
– Image by boardGOATS

Through the first corner and approaching the Canyon, Purple hit the side of the track and slowed up, while Green and Black raced forward. Lilac took her foot off the break and caught Purple, who was struggling to get her head around which side of the sled needed the higher number to move to the right to get around the corner.  With the bend successfully negotiated Black slowed for the canyon, but Green decided to let rip through it. He made it in one go without hitting anything, but was on the outside for the next corner.  Black took a steadier run through the canyon and came out on the inside of the corner behind Green.

Snow Tails
– Image by boardGOATS

Lilac also maintained a steady pace taking a couple of turns for the Canyon, while Purple continued to dally at the back, hampered somewhat by her reduced hand size from her earlier crash. Black and Green raced to the forest, with Black reaching it just before Green. He “dropped an anchor” and came to an almost complete stop at the entrance right in front of Green, causing him to slow up sharply and swerve to the left instead of taking the route ahead he had planned.

Snow Tails
– Image by boardGOATS

Black managed to clear the forest first but found himself drifting towards the outside of the long hairpin bend. Green was close behind, but his direction of travel sent him to the inside.  Lilac continued her steady progress, avoiding the hazards and came through the forest unscathed in the middle of the track.  Black and Green were racing hard:  Black had the speed, but was forced to the outside of the track and wasn’t able to make progress while Green going more slowly on the inside, manage to squeeze past to get just ahead.  Then it was a straight fight to the line.

Snow Tails
– Image by boardGOATS

Black was able to lift his break to a one, but could only manage a double four, so he positioned himself less advantageously to try and block Green. It didn’t work as Green came off the corner on another track, but he was a little heavier on his break, so still on a two, and also a double four, Black managed to just slide past for the win finishing just ahead.  Lilac continued her steady progress and finished the following round while Purple took a more leisurely ride through the forest, came out on the outside of the bend.  Struggling to stay on the track on the way round the corner, she finally found her speed down the final straight and came flying off the end of the track, unfortunately a couple of rounds too late to win.

Snow Tails
– Image by boardGOATS

Snow Tails was still going when Modern Art finished, but only just, so Tsuro got a second outing of the evening.  This time, Blue was out first by killing herself and taking her piece off the board, quickly followed by Pink who committed harakiri in a similar fashion.  That left them to cheer on Teal and Ivory.  It was close and they were down to the last few tiles, but in the end, Teal took victory when he pushed Ivory off the board.  As the huskies settled down for a well-earned nap, Pine arrived just in time for one last game of Bohnanza, replacing Green and Lilac who went home as they had an early start the next day.

Bohnanza
– Image by boardGOATS

Bohnanza is one of our old favourites, and barely even needs a reminder beyond the rules that are specific for the particular player count.  With six, players start with different numbers of cards, they plant one or two beans turn over two bean cards from the deck, plant and trade, then draw four cards to replenish their hand.  Buying a third bean field is cheaper as well with six, costing two Bohnentaler instead of three.  This is important because the game is shorter with more players and some players barely get a turn in the final round.

Bohnanza
– Image by boardGOATS

As a result, buying a third field is always a bit risky, and the general consensus is that it is rarely worth it. This time was the exception that proves the rule however, with lots of people deciding to buy a third field.  This had the unintended effect of shortening the game as more beans were left in fields at the ends of the rounds.  This didn’t stop the usual hilarity when people made the occasional silly trades and players got unfeasibly lucky with the draw of the cards.  This time the winner was Ivory, two Bohnentaler ahead of Pine, but in truth, we are all winners with a game that is so much fun.

Bohnanza
– Image by boardGOATS

Learning Outcome: It is amazing how much money people will spend on tat.

10th July 2018

While those eating finished, we welcomed an old friend from the Didcot Games Club on his first visit, and began the evening began with a quick game of an old classic, High Society.  Designed by Reiner Knizia, this is a light bidding game with a catch, in the mold of games like For Sale, No Thanks!, Modern Art, and perhaps our old favourite, Las Vegas.  First released over twenty years ago in the designer’s heyday, a beautiful new edition has recently been published by the Cumnor Hill-based company, Osprey Games.  In High Society, everyone starts with the same set of money cards, each numbering from 1,000 up to 25,000 Francs.  The game is all about correct valuations. Players take it in turns to bid for the luxury objets d’art for sale, however, when they increase their bid, they add money cards to their personal bidding pile, and there is no concept of change.  Thus, as the game progresses, players have fewer and fewer bidding options  as they spend their money cards, and are increasingly forced to big large amounts potentially for relatively low value items.  Some of the objects for sale are not so much art, as artless, and can halve a player’s score, lose them points, or even cause them to discard something they purchased previously and the first person to withdraw, “wins”, while everyone else pays whatever they wagered.

High Society
– Image by boardGOATS

The other twist is at the game end which occurs abruptly when the fourth “end game” card comes out.  At this point, the player with the least money at the end is eliminated regardless of the value of their luxurious objects.  Despite the age of the game, a lot of people were new to it, and as the valuation of the luxuries is the key, some people found knowing how much to bid challenging.  As is the case with this sort of game though though, until the scores were actually calculated nobody knew who was winning, especially as the money was tight at the bottom.  Purple and Black (or “The Dark Destroyer as Ivory called him”) had pots of cash, but Red was just eliminated ahead of Yellow.  That left the final count:  Black was by far the most efficient, with a score of fourteen, two more than ivory – quite remarkable given the amount of cash he had left at the end.  It was Yellow though, who having just escaped elimination, finished some way in front with nineteen points.

High Society
– Image by boardGOATS

With everyone fed and High Society over, we split into two groups: one to play the “Feature Game” (which was to be Keyflower) and the rest to play something else.  As always, the issue was what the other game was to be and almost everyone was happy to play Keyflower, but for some, the final decision depended what the other game was to be.  The problem was that the choice of the second game depended on who was going to play it.  Eventually, Purple broke the deadlock when she said she would be happy not to play Keyflower.  With Red having requested it in the first place, and it being Blue’s favourite game, it was just a matter of who would fill the remaining seats.  In the end, Pine, Burgundy and Ivory joined Red and Blue, leaving Yellow, Black and Purple to play Calimala, an area-influence driven, worker-placement game set in the Republic of Florence during the Late Middle Ages.

Calimala
– Image by boardGOATS

This is an unusual game with variable setup to keep it fresh.  The idea is that on their turn, players place one of their workers on one of the twelve worker spaces.  Each one of these is adjacent to two of the nine action spaces. If there is already a worker disk present on the space, once the active player has carried out their actions, then the other player gets another turn.  This continues until a player places the fourth disk on a stack: actions are carried out for the top three disks and the fourth is placed on the first available scoring tile which is then triggered.  Each player has some worker disks in their own colour and a small number in white.  Coloured disks give players a maximum of two actions on three occasions (i.e. a total of six), while white disks give four actions when played, but none later in the game.  The actions include acquiring resources (brick, wood or marble), building (ships, trading houses or workshops), create artwork, produce cloth, transport cloth, and contribute to the building of the churches.

Calimala
– Image by boardGOATS

The fifteen scoring phases are built on the actions, rewarding players for the amount of cloth they have shipped to a given city or combination of cities for example, or for their contribution to a specific building, or their contribution to the building effort of a given resource.  In each case, the player with the most scores three points, the player in second place scores two and the player in third gets just one point.  In case of a tie there is a complicated series of tie-breakers.  The game ends when either all fifteen tiles have been scored, or everyone has placed all their workers (in which case any remain tiles are scored).  It was another close game:  “The Dark Destroyer” scored heavily for the cloth in the Port Cities (Barcelona, Lisbon and London), while Purple scored for the trading cities (Troyes, Bruges and Hamburg).  Calimala is one of those games that rewards players who score “little and often”, and it was Yellow who managed to score most frequently.  There were a lot of tie-breaks however, particularly between Yellow and Black and it was probably the fact that Yellow did better in these that tipped the balance, as he finished just ahead of Black with a winning score of forty-five points.

Calimala
– Image by boardGOATS

Keyflower was still under way, so the players looked around for something quick to play and picked one of Yellow’s favourite games, Red7.  On the surface, this is a fairly simple game, but underneath it is much more complex.  The game is played with a deck of forty-nine cards, numbered one to seven and in seven different colour suits.  Each player starts with seven cards in hand and one face up on the table.  The player with the highest value card is “winning” because the rule at the start is that the highest card wins.  On their turn, each player can play one card from their hand into their tableau in front of them, or play a card into the centre which changes the rules of the game (a little like Fluxx), or they can do both.  If they cannot play a card or choose not to, they are out of the round.    In the event that there is a tie and the highest face value is displayed by more than one player, the tie is broken by the colours with red higher than orange and so on through the spectrum to violet.

Red7
– Image used with permission of BGG contributor punkin312

The colours also dictate the rules, so any red card played in the centre will change the rules to “the highest” wins.  Similarly, any orange card played in the centre changes the rules so that the winner is the person with the most cards of the same number.  In each case, if more than one player satisfies the rules, the tie is broken by the card that is highest (taking into account both number and colour).  Thus, if the rule is “the most even cards” and there are two players with the same number of even cards in front of them, the player with the highest even card is the winner.  At the end of their turn, the active player must be in a winning position, or they are out of the round. The round continues until there is only one player left.

Red7
– Image used with permission of BGG reviewer EndersGame

We last played this a few years back when we made rather heavy weather of it.  Part of the problem was that there were several of us and we were all new to it.  This meant we struggled without someone to lead the way.  With Yellow very familiar he was able to show everyone else how to play.  Inevitably, this meant he won (giving him a hat-trick).  The game was played over five rounds and at the end of each round the player who was left at the end kept their highest cards.  With Yellow so much more familiar with the game than anyone else, it was inevitable that he would be able to build on this, and he made the most of it.

Red7
– Image used with permission of BGG contributor punkin312

By this time, the next table were just coming to the end of their game of Keyflower, and we had all found it unusually hard going, that is to say we all struggled to find anywhere to score points.  The premise of the game is quite simple:  over four rounds (or seasons) tiles are auctioned using meeples (or Keyples) as currency.  The clever part is that to increase a bid, players must follow with the same colour.  Keyples can also be used to perform the action associated with a tile, any tile, it doesn’t have to be their own, but each tile can only be used three times in each round and, again, players must follow the colour.  The aim of the game is to obtain the maximum number of victory points at the end.  However, the highest scoring tiles aren’t auctioned until the last round (Winter), so players have to keep their options open.  On the other hand, the tiles that are auctioned in Winter are chosen by the players from a hand of tiles dealt out at the start, so players can choose to take a steer from that, or, if things go badly wrong, decide not to include certainly tiles.

Keyflower
– Image by boardGOATS

These games are nearly always memorably epic and this was definitely no exception.  The game started of with Ivory declaring that while he loved it, he thought it was maybe “a bit broken” because in his experience, there was one winter tile that would guarantee a win to the player that got it.  Blue and Burgundy thought they knew he was referring to “The Skill Tile Strategy” and agreed it was powerful, but felt it wasn’t over-powerful.  Blue said she thought it was only a guaranteed win if everyone else allowed it.  Pine suggested that playing the game would give Ivory another opportunity to gather evidence to see if this was the case.  As soon as the winter tiles were dealt out, it was clear that Ivory had one of the tiles that rewarded players with lots of Skill Tiles, and everyone knew what his strategy was going to be.

Keyflower
– Image by boardGOATS

Spring started and it quickly became clear that it was going to be a fight.  Initially, Blue went for the Peddler which converts yellow Keyples into Green ones, but Pine thought that sounded good, and outbid her.  Next she went for the Miner which gives two coal, upgradable to three, but Red outbid her on that.  Somewhat in error she tried to get the Woodcutter which gives two wood (upgrading to a wood and a gold), but Burgundy outbid her.  Ivory also got in on the act, beating her to the Keystone Quarry, which meant Blue finished spring with no Village tiles at all.  At least she didn’t over-pay for anything though, and it meant she had plenty of Keyples to bid with for Summer, at least in theory.  The lack of tiles meant she didn’t have a strategy though, while everyone else was beginning to build theirs.

Keyflower
– Image by boardGOATS

With summer came a whole new set of interesting tiles, for Ivory, that included the Hiring Fair which gives two tiles in exchange for one (upgradable to three tiles for one).  Given that Ivory had telegraphed his plans, and that Burgundy took one for the team during Concordia last time (when he took the Weaver and gave everyone else a chance), Blue felt it was her turn and she made it her business to outbid him, even though this gave her a tile she had very little use for.  As the only one with any meeples to speak of, Blue managed to pick up three boats relatively cheaply too.  She didn’t have it all her own way though, as Pine took the Farrier (extra transport and upgrade ability) and Ivory took the Brewer who turns skill tiles into Keyples.

Keyflower
– Image by boardGOATS

Unusually, there had been a lot of bidding for the end of season tiles and it came to a peak in autumn with everyone jostling for position for the final round.  The other tiles were generally less popular, however, and most people were trying to keep their Keyples to themselves where possible, hoarding them for the final round.  And it was in the final round that it all came to a head.  Everyone had to put in at least one tile, but nobody seemed terribly keen to put any in.  Blue had contrived to win the start Keyple at the end of autumn, and started by bidding for the Key Guild tile which had been put in by Ivory.  Inevitably this descended into a bidding war, which Blue won.  The Key Guild tile gives ten points for any five skill tiles, so Blue was finally able to use her Hiring Fair to get points. Having had his plans scuppered, Ivory moved on to messing with Pine’s plans, while Red engaged Burgundy in a bidding war for the Jeweller tile (which increases the value of gold from one point to two), and lost.

Keyflower
– Image by boardGOATS

It had been a  really tough game with points really hard to get hold of, and that was visible in the scores.  It was very tight with just six points covering Red, Burgundy, Ivory and Pine and all of them in the low to mid forties.  Blue finished with sixty-one however, thanks largely to her twenty points for her skill tiles and sixteen for her boats.  It had been a very stressful game, that led to a considerable amount of discussion.  Ivory felt the fact that Blue had won using skill tiles confirmed that they were over-powered, but Pine and Burgundy were less certain, so the jury is still out.  Blue said that every game was different and the point was that it was up to other players to stop the person who is making a beeline for skill tiles, in fact, that was exactly what she had done to Ivory, as he put that tile out in winter.  The discussion would have continued, however, it was getting late and people began to leave.

Keyflower
– Image by boardGOATS

Pine, Burgundy and Blue felt there was just time for a quick game of NMBR 9.  This little game has been a real success within the group, mostly at the start as a warm-up game, but occasionally as filler too.  Pine took the deck of cards and began turning them over, with everyone else taking the number shaped tiles and adding them to their tableau.  It was another tough, tight game, but Blue managed to squeeze one of her eights on to the fourth level giving her twenty-four points for that tile alone.  Aside from that, the levels and therefore the scores were very similar, so Blue took victory by twenty-one points from Pine in second place.

NMBR 9
– Image by boardGOATS

Learning Outcome:  Sometimes it is better to keep your plans to yourself.