Tag Archives: Trivial Pursuit

Boardgames in the News: Rolling the Dice in the British Virgin Islands

With Hurricane Maria currently devastating the Caribbean, people are once again battening down the hatches and preparing for winds that could reach over 150 mph. While they are waiting, they could do worse than play a game or two to try to take their mind off it. That is exactly what the Virgin tycoon, Richard Branson, did when Hurricane Irma struck his home, Necker Island, in the British Virgin Islands. According to his blog, Richard and his team settled down to an evening playing Perudo (aka Liar’s Dice) before the whole team slept together in two rooms, listening to the parrots chattering away next door, waiting for the arrival of the approaching menace.

– Image from virgin.com

This is not the only time Richard Branson has shown an interest in games. He has expressed a love of chess previously, but he also nearly had a commercial interest in another well known game. Back in the early 1980s, a friend in Canada, introduced him to a new board game. It was such a hit that developers invited him to travel to Quebec and seal a deal to distribute the game globally. Since Richard was incredibly busy with Virgin Records at the time, the trip was postponed so the developers sold the game, Trivial Pursuit, to another company, and the rest is history.

Game Plan: Rediscovering Boardgames at the V & A Museum of Childhood

Inspired by the recent articles on Saturday Live and the Today Programme, on Easter Sunday, Pink and Blue decided to visit the V & A Museum of Childhood to see their “Game Plan: Board Games Rediscovered” exhibition. Catching a train from Oxford Parkway and negotiating the London Underground, they arrived in Bethnal Green. With its vaulted ceiling and exposed metal work, the Museum building looks for all the world like a re-purposed Victorian Civil building, a train station, swimming pool or maybe some sort of pumping station. Much to their disappointment, however, after extensive discussion and investigation, it turned out that the building was designed for the purpose, albeit after relocation of parts from “Albertopolis” on Exhibition Road.

– Image by boardGOATS

The exhibition itself was well presented and occupied a sizeable portion of the overall floor space. Although it was located in one of the upstairs galleries, the exhibition was well advertised and, from entering the main hall, games were brought to the visitors’ attention with table space and signs offering the loan of games should people want to play. It wasn’t an idle promise either, as there were several family groups making full use of the opportunity, albeit playing what might be called classic games rather than more modern, Euro games.

– Image by boardGOATS

A quick look at the model train cabinet and brief spell side-tracked by one or two other exciting toys preceded entry to the exhibition which was shrouded by an eye-catching red screen. The first exhibit was a copy of Senet, arguably one of the oldest games in the world – so old in fact that we’ve lost the rules and nobody knows how to play it. This was followed by some traditional games including a beautiful wooden Backgammon set made in Germany in 1685 and decorated with sea monsters and a lot of fascinating Chess sets, old and new. Next, there were some ancient copies of Pachisi (which evolved into Ludo) and Snakes and Ladders, both games that originated in India and were originally played seriously by adults.

– Image by boardGOATS

Further round there were many other curious games, for example, The Noble Game of Swan from 1821, which was an educational game for children, itself developed from the much older, Game of the Goose. Education was a bit of theme and there were a lot of games from the nineteenth and early twentieth century designed to teach geography in some form or another. These included Round the Town, a game where players had to try to cross London via Charing Cross, and Coronation Scot, a game based on travelling from Glasgow to London inspired by the eponymous 1937 express train made to mark the coronation of George VI.

– Image by boardGOATS

Education didn’t stop there either: for those that had been members of RoSPA‘s “Tufty Club“, there was a game promoting road safety featuring Tufty the Squirrel and his mates Minnie Mole and the naughty Willy Weasel. However, when designing this roll-and-move game, they clearly ran out of imaginative “adventures” with a road safety message, as they had to resort to “Picking and eating strange berries – Go back three spaces…”

– Image by boardGOATS

Progressing through the late twentieth century, there were the inevitable copies of the childhood classic games, including Game of Life, Risk, Cluedo, Mouse Trap, Trivial Pursuit, Connect 4, Scrabble and the inevitable Monopoly, all of which risked bringing a tear to the eye as visitors remembered playing them as children. The exhibition eventually brought us up to date with modern Euro-style games, presenting copies of Ticket to Ride, Carcassonne and Settlers of Catan.

– Image by boardGOATS

More interestingly, there was also an original prototype of Pandemic supplied by the designer, Matt Leacock, complete with his scribbles and bits of paper stuck over infection routes he decided to remove as the game developed. One of the final display showed how the influence boardgames have had on the computer gaming industry is sometimes strangely reciprocated, with a copy of the Pac-Man game, including the title figure wrought in sunshine yellow plastic.

– Image by boardGOATS

Leaving the exhibition, there was just one last game – “What’s Your Gameface?“. This cute flow chart entertained Blue and Pink for far longer than is should have as they tested it out with all their friends, relatives and fellow gamers (nobody came out as “Cheater”).

– Image by boardGOATS

With the exhibition done, there was still time for a wander round the rest of the museum and a quick cuppa in the cafe. Reflecting on the exhibition, perhaps one of the best aspects had actually been the quotations that adorned the walls. It seems luminaries from Plato to Roald Dahl have all had something to say on the subject of games. Perhaps George Bernard Shaw supplied the most thought provoking comment though, when he said, “We don’t stop playing because we grow old; we grow old because we stop playing.” With this in mind, we did what gamers do when they travel, so tea and cake was accompanied by two rounds of Mijnlieff, the super-cool noughts and crosses game. With the museum closing, it was time to head home, but there was still time for a game or two of 3 Sind Eine Zu Viel! on the train back to Oxford…

– Image by boardGOATS

The Exhibition is only open till 23^rd April 2017, so there isn’t much time left and it is well worth a visit.

Boardgames in the News: Ant & Dec’s Trivial Takeaway

There has been a long history of trivia games including, including well known titles like Scene It? and Trivial Pursuit. There are a number of obvious problems with this sort of game. Firstly, it’s no fun playing when the “spod” in the corner always wins; this leads to the second problem which arises when one player decides the only way to win is to learn all the answers. Some games designers use ingenious methods to get round this problem. For example, the questions in Wits & Wagers have numerical answers that players are very unlikely to know, but can usually make an educated guess at. For example, “In dollars, how much was each extra paid to run across the beach and scream in the movie Jaws?” These questions don’t solve the problem in themselves, but in Wits & Wagers it’s not the answers that are really important, as players bet on each other’s suggestions with the pay out going to bets on the answer that most closely matches the truth, crucially, without exceeding it.

– Image used with permission of
BGG contributor domcrap

There is another way to stop the family’s “useless-fact sponge” winning every time though, and that is to add a sprinkle of wrong answers. This was approach accidentally exploited by Paul Lamond Games, maker of Ant & Dec’s Saturday Night Takeaway: The Board Game. They mistakenly relocated Stonehenge in Somerset, misplaced the Moon by nearly fifteen thousand miles and killed off Albert Einstein six years early! Paul Lamond Games have agreed to provide replacement cards for all that want them, however, a better solution might be to cut losses and replace the whole game with something better like Wits & Wagers, Codenames or one of the thousands of superb modern boardgames that are now available.

Ant & Dec's Saturday Night Takeaway: The Board Game

– Image from paul-lamond.com

Boardgames in the News: Are Asmodée Taking Over the World?

Asmodée is the French translation for Asmodeus, and according to Binsfeld’s classification of demons, Asmodeus is the demon of lust and is therefore responsible for twisting people’s sexual desires. In the boardgame world though, Asmodée (originally known as Siroz) are a small French game publishing and distribution company, specialising in the family market. For example, they are well known for Dobble, Dixit, Time’s Up! and Ca$h ‘n Guns, but they also publish some more challenging games including Snow Tails, Mr. Jack, Formula D, Takenoko and 7 Wonders.

– Image used with permission of BGG contributor kilroy_locke

Asmodée was started in 1995 by Marc Nunès, a self-trained entrepreneur developing role-playing games, but quickly became France’s foremost games publisher and distributor. One of the big early successes was Jungle Speed, launched in 1998, which has since gone on to be one of the top-selling titles in France, rivalling Monopoly, Trivial Pursuit and Pay Day. The real turning point came in 2003, however, when Asmodée obtained the French licence to distribute Pokémon collector cards, which opened up the mass retail sector. This development led to an 18% investment from Naxicap in 2005. Naxicap’s stake was bought out two years later by Montefiore who acquired 60% of the company as part of a deal with management worth €40-50 million. Montefiore invested €120 million to finance Asmodée’s international growth, funding the acquisition of the Belgian game distributor Hodin in 2008, the Spanish games developer Cromola and the German Proludo in 2009, followed by the purchase of a 60% stake in the UK-based distributor, Esdevium Games in 2010. Asmodée also strengthened it’s portfolio with the acquisition of Abalone and partnership with Libellud (leading to the distribution rights for Dixit) in 2010.

– Image used with permission of BGG contributor msaari

In 2012, Asmodée branched out further, setting up a subsidiary in Shanghai, China, with the intention of expanding “into a new market taking advantage of Asmodee’s extensive line-up of games and the existing relationships with partners, thus promoting the brand in mainland China, Hong Kong and Taiwan”. This ambition brought Asmodée to the attention of the Eurazeo, a European investment company and a deal was announced in November 2013 that valued Asmodée at €143 million. In January, 2014, almost exactly a year ago now, Eurazeo bought 83.5% of Asmodée through an equity investment of €98 million while Asmodée’s management team and original founders reinvested €14 million of their own money.

– Image used with permission of BGG contributor garyjames

With the backing Eurazeo provided, Asmodée then went big: in August last year it was announced that Days of Wonder would be “merging into the Asmodée Group of game companies”. Days of Wonder are one of the biggest names in modern boardgaming, and are often credited with the growth of the modern boardgame industry, thanks largely to their flagship Ticket to Ride games, which have sold well over two million copies to date. This is not the only “big game” in their catalogue either, they are also responsible for Memoir ’44 and Small World, both of which are popular games, demonstrated by the number of expansions they support and which take Days of Wonder’s total number of games sold to over five million since their founding in 2002.

– Image used with permission of BGG contributor crosenkrantz

According to Forbes, Days of Wonder generates between $10 million and $20 million in revenue annually, not bad in such a niche market. From Eurazeo/Asmodée’s point of view, such an acquisition makes sound financial sense, not just because of the commercial value, but because they already provided a lot of the distribution for Days of Wonder games. This wasn’t enough for Asmodée however, and three months later, they acquired the U.S. publisher Fantasy Flight Games.

– Image used with permission of BGG contributor adamfeldner

This was a bit of a change of direction for Asmodée: hitherto, all the acquisitions had been firmly in the family boardgame and distribution markets. Fantasy Flight games are a very different animal and their headline games, Twilight Imperium and Arkham Horror are much less family friendly. Even their X-Wing Miniatures Game which is very popular with fathers and sons, is a long way outside the normal scope of Asmodée, since it is essentially a two-player war game with a Star Wars theme. However, there are considerable benefits for both parties, since the merger will enable Fantasy Flight to improve its distribution in Europe, while simultaneously giving the growing Asmodée Group access to Fantasy Flight’s North American sales and marketing teams.

– Image used with permission BGG contributor Toynan

Asmodée weren’t stopping there, however, with Ystari Games, Asterion Press and Pearl Games also becoming “part of the Asmodée family” late last year. The link with Ystari Games almost certainly comes from their mutual interest in Space Cowboys. Space Cowboys is a game creation studio created in 2013 by Marc Nunès (who started Asmodée way back in 1995, remember?), Philippe Mouret and Croc (both of Asmodée), Cyril Demaegd (Ystari) and Sébastien Pauchon (GameWorks). Space Cowboys is a very small outfit, but already has one Spiel des Jahres nomination under its belt in Splendor and looks to be trying for a second with Black Fleet, the gorgeous pirate game released at Essen last year.

– Image from eurazeo.com

So, what are Asmodée up to? The concern is that gamers generally like the current diversity in the market and fear that this succession of mergers and partnerships will mean a homogenisation of the games available. The November 2014 Eurazeo “Investor Day” report spelled out the current state of Asmodée in detail and the good news is that this does not seem to be Eurazeo/Asmodée’s intention. The report states, “Each studio has its own DNA,” and goes on to say, “Repeated success lies in the full independency granted to these studios, to keep innovating.” So it seems the diversity is valued, however, by acquiring mid-sized publishers like Days of Wonder and Fantasy Flight, Asmodée is positioning itself to compete more effectively with multinational toy giants like Hasbro and Mattel, who publish top board game brands including Monopoly and Scrabble.

– Image from eurazeo.com

So, is it a good thing that Asmodée are setting themselves up to rival the big boys? Well, Asmodée is not the only company to engage in mergers: in 2011 Filosofia purchased the U.S. publisher Z-Man Games, and U.S. publisher FRED Distribution (which releases games under the Eagle Games and Gryphon Games brands), acquired U.S. publisher Face2Face Games. More recently, in late 2013, Mayfair Games (the U.S. partner for Catan) bought a controlling interest in Lookout Games (the company who first brought Agricola, Caverna, Le Havre and Ora et Labora to the market).

– Image from escapistmagazine.com

Clearly a large stable company provides security for designers, as well as providing support for the individual studios who know that one poor decision is no-longer likely to bring about the end of the company, both of which have to be A Good Thing. However, companies like Eurazeo invest for only one reason: financial return. With an effective monopoly, Asmodée are now in a position to squeeze the market, indeed we may already be seeing the evidence of this in the price rises announced at the start of the year. With this in mind, it will become clear in due course whether Asmodée is good for boargaming in the UK or whether it is genuinely the demon of lust responsible for twisting our gaming desires…