Category Archives: News

Boardgames in the News: But Emily loved him…

Sadly, Peter Firmin, “father” of Bagpuss and Basil Brush, passed away yesterday after a short illness, aged eighty-nine.  In addition to the old, saggy cloth cat (baggy, and a bit loose at the seams) and the anarchic fox (boom BOOM!), together with Oliver Postgate, Peter brought many other childhood favourites into our homes.  These include, The Clangers, Pogle’s Wood, Pingwings and What-a-Mess.  To gamers though, the most interesting are probably Ivor the Engine, Noggin the Nog, both of which have recently inspired boardgames that Peter Firmin personally illustrated in his unique and beautiful style.  He was a lovely man who will be greatly missed by all who knew him and those who were inspired by him.

– Image by boardGOATS

Boardgames in the News: Concentric Eccentric Carcassonne

People playing Carcassonne in and around the walled city of Carcassonne, are a common sight and the locals are very tolerant.  However, the residents have been less impressed by the new art installation adorning the medieval fortress.  Selected by the Centre des Monuments Nationaux to celebrate the 20th anniversary of Carcassonne’s inscription on the UNESCO World Heritage List, the installation is also part of the IN SITU Heritage and Contemporary Art, a summer event in the Occitanie / Pyrenees-Mediterranean region focusing on the relationship between modern art and architectural heritage.

Concentric Eccentric Carcassonne
– Image from france.fr

The work was designed by Felice Varini and comprises thin, painted aluminium sheets laid on the walls and towers of the west side of the medieval city, to form a succession of yellow “concentric eccentric circles” drawing visitors into the city.  The installation was officially inaugurated on 4th May and will be visible until the end of September.

UK Games Expo 2018 – Bigger Every Year!

The first weekend in June was the UK Games Expo (sometimes known as UKGE, or simply Expo), held at the NEC and the NEC Hilton Metropole in Birmingham.  Several of the GOATS went, as well as some of the GOATS’ friends from the Didcot Games Club.  Friday was unbearably hot in the main hall with two people actually passing out with the heat, but by Saturday, the air conditioning was on and and it was less sticky.  That was just as well because Saturday was the busiest day, though it didn’t feel too crowded because there was extra space compared with last year.

UKGE 2018
– Image by boardGOATS

The GOATS went with the specific intention of seeing some of the recent releases like Mini Rails, the Viticulture expansion, Visit from the Rhine Valley, North American Railways, as well as prototypes like Tales of the Northlands: The Sagas of Noggin the Nog which has raised over £45,000 through crowd-funding thanks largely to the beautiful artwork by Peter Firmin.

Mijnlieff
– Image by boardGOATS

Plenty of games were played; Blue and Black even managed to squeeze in a quick game of Mijnlieff while they were waiting for lunch to arrive on Friday lunch time.  The surprise of Expo though, was Echidna Shuffle – a light pickup and deliver game with extremely tactile pieces.  In the demo game, Black pipped Purple into second place, with Blue and Pink some way behind, but the only real question was how many copies they were going to buy, and it was no surprise that it sold out on Friday!  It surely won’t be long before it Features on a Tuesday night…

UKGE 2018
– Image by boardGOATS

UK Games Expo 2018

This weekend, 1st-3rd June, gamers will be converging on Birmingham for a three days of fun and games for the UK Games Expo (sometimes known as UKGE, or simply Expo).  The event has a very different feel to Essen in October, as it is focussed on gamers playing games rather than publishers selling new games.  In addition to Euro Games, there are lots of role/cos players, miniatures games, and war games, with tournaments as well as plenty of “open gaming” space, talks and play testing.  The event is now in its twelfth year and every year is bigger than the last: this year it will be occupying three halls in the of the NEC as well as the NEC Hilton Metropole.  Several of the GOATS are planning to go this year, some for just a day, others for the duration, and it is certain that it will be a fun weekend.

UKGE 2018
– Image from
ukgamesexpo.co.uk

Spiel des Jahres Nominations 2018

Almost every time we’ve played Azul, the topic of conversation has moved on to the Spiel des Jahres and how it would be a travesty if it did not receive at least a nomination. It was with this in mind that we read the Spiel des Jahres nominations when they were announced this morning.  There are three nominees in each of the three awards:  a children’s game award (Kinderspiel des Jahres), the “Advanced” or “Expert” Kennerspiel des Jahres, and the main Spiel des Jahres (often interpreted as the “Family Game” award).  In addition, for the first time since 2010, there is also a special award for Pandemic Legacy: Season 2 by Matt Leacock & Rob Daviau, reflecting Pandemic, Forbidden Island and Pandemic Legacy: Season 1 that were all nominated, but failed to win a prize, and have had a significant influence on cooperative and legacy games as a whole.  The other nominees are:

  • Kinderspiel des Jahres
    Kinderspiel des Jahres 2018Emojito! by Urtis Šulinskas
    Funkelschatz (aka Dragon’s Breath) by Lena & Günter Burkhardt
    Panic Mansion (aka Shaky Manor) by Asger Harding Granerud & Daniel Skjold Pedersen
  • Spiel des Jahres
    Spiel des Jahres 2018Azul by Michael Kiesling
    Luxor by Rüdiger Dorn
    The Mind by Wolfgang Warsch

Firstly, more than half of the nominees were designed by either Wolfgang Warsch, or Michael Kiesling, so huge congratulations to them.  In our view, Azul richly deserves it’s nomination and it would be no surprise if it ultimately wins the award.  Of the other two nominations for the “red pöppel”, The Mind has received quite a lot of attention, and is a bit like a cross between Hanabi and The Game (both of which have been acknowledged by the Jury in the past, in 2013 and 2015 respectively).  Luxor has a good pedigree as it is designed by Rüdiger Dorn (also designer of The Traders of Genoa, Goa, Istanbul, and one of our group favourites, Las Vegas), but it is a bit more of an unknown as it has only just come out.  Usually the Kennerspiel Prize winners are a good fit to our group, but this year they are also largely unknown to us, so there is clearly a lot to discover before the winners are announced in Berlin on 23rd July (Kinderspiel des Jahres winners will be announced in Hamburg on 11th June).

Spiel des Jahres
– Image from spieldesjahres.de

 

Boardgames in the News: Asmodee For Sale‽

Over the last few years Eurazeo have developed Asmodee from a small French games company primarily known for a clever little kids game called Dobble, into an industrial conglomerate swallowing up the likes of Days of Wonder, Fantasy Flight Games, Z-man Games, Mayfair, and Lookout Spiele.  In the process, Asmodee added some of the most high profile modern boardgames to their portfolio, including Ticket to Ride, Carcassonne, Pandemic, Agricola, Star Wars X-Wing Miniatures Game, SplendorDead of Winter, Settlers of Catan (now known simply as “Catan”) and as of this weekLove Letter.  Speculation as to the end result has been rife, here and elsewhere.  Indeed, three months ago we raised the question:

…it would seem that Eurazeo is not looking to hold onto Asmodee for the long haul, instead they will be looking to maximise Asmodee’s growth and then make their exit, probably in the next two to five years.  So the big question is, how are Eurazeo going to make their “controlled exit”?

Reuters now reports that according to un-named sources, the answer is, “Sell Asmodee”.  Apparently, investment bankers have been hired to run a sale process which they claim could value the company at over €1.5 billion (quite a return for Eurazeo who originally paid €143 million for Asmodee in November 2013).  As yet, there is no credible information as to who the potential buyers may be, but if the news that Asmodee is to be sold is true, there will no doubt be plenty of speculation over the coming weeks and months.  Possibilities range from a major toy manufacturer like Hasbro or Mattel wanting to add expand their range of boardgames, to venture capitalists companies going for maximum short term profits, leading to reduced quality and increased prices.  No doubt, time will tell…

Asmodee Logo
– Image from
escapistmagazine.com

Boardgames in the News: Osprey Plays Games at Blackwell’s

On 28th April 2018, Blackwell’s Bookshop in Oxford are holding their second games night in collaboration with Osprey Games, a small games publisher based up Cumnor Hill.  Originally owned by Berkshire Printing, part of Brooke Bond, the tea company, Osprey was formed in 1969 to publish “Aircam Aviation“, a series of books that grew out of the aviation illustrator Richard Ward’s work on the collectable tea cards.  In 1998, Osprey became an independent company and moved from London to Oxford and began focusing exclusively on publishing on warfare and military history books.  Over the last ten years, Osprey has been publishing the Bolt Action rules used for World War II simulation games, but more recently has also engaged in reprinting some of the lesser classic board/card games.  This includes Martin Wallace’s London, Reiner Knizia’s High Society and Patrick Reid’s semi-cooperative game, Escape from Colditz.

Osprey Games
– Image from tabletopgamingnews.com

Blackwell’s is a very well known independent Oxford bookshop, but given the increasing popularity of board gaming in Oxford, they have jumped on the band-waggon and now stock a moderate range of modern board games including staples like Ticket to Ride and Carcassonne.  Last October when London was re-released, Blackwell’s had copies available for pre-order for significantly less than they were being sold for at Essen a couple of weeks later.  Since then, Blackwell’s have had good deals available for other Osprey games as well, including Star Cartel and The Lost Expedition.  It is clear that Blackwell’s and Osprey Games are building a strong working relationship which was consolidated back in February when they held their first joint board games evening at Blackwell’s Bookshop on Broad Street.  This was clearly very successful, as there is now a second games evening planned for Saturday 28th April, 7pm-10pm.  There is a £4 entry fee, but that includes a free drink at the bar.

Blackwell's Bookshop Oxford
– Image from theguardian.com

Boardgames in the News: So, What’s the Big Deal with “Legacy Games”?

Legacy games were the latest, greatest thing in boardgames in 2011, when the first “Legacy Game”, Risk Legacy, was first published.  Although Risk Legacy, was the first of this style of games, it was the arrival on the scene of Pandemic Legacy: Season 1, four years later, that really raised their profile, and with it’s arrival, there was a lot of debate.  Legacy games are board games where changes are made as players play; think “Choose Your Own Adventure“, only with a boardgame instead of a book.  The difference is that the changes that are made are permanent and affect game play the next time.  Examples of these changes include permanently marking cards, adding stickers to the board, destroying components, opening sealed envelopes, and so on.

Risk Legacy
– Image used with permission of BGG reviewer EndersGame

These changes are designed to be permanent and are typically part of a campaign that can only be played through once.   And this is where the controversy lies:  hitherto, boardgames have been toys that provide entertainment time and time and time again, and have a resale value, Legacy Games can only played through once and have little or no resale value once the campaign has been started.  There are other issues too, for example, for the best experience, these games need to be played with the same group every time, and as such, are not ideal for games groups where different people attend each time.  Designing them is considerably more complex than normal games as well, as all the alternate paths have to be balanced and every possible eventuality play-tested.

Pandemic Legacy: Season 1
– Image by BGG contributor Six8

There has been a lot of demand for the development of Legacy Games with a reset capability, and games like Fabled Fruit and Charterstone have been produced with this in mind.  Unfortunately, this completely misses the point:  the excitement of the true Legacy Games generate is precisely because they cannot be reset.  This is not to say that “Fabled Games” and other reset-able “Legacy-style” games are poor games, in fact, because they need more play-testing than most games, the opposite is often true.  And these games still have the feeling of exploring the unknown, but there is something they cannot reproduce.  The fact is, boardgames are very precious to gamers, and as a society people are taught to take care of games, so permanently damaging them is something everyone is taught not to do, a bit like permanently damaging a book.  For this reason, there is a frisson of excitement that comes with permanently changing a game and that is the true mark of a Legacy Game; love it or loath it, the knowledge that the game can be reset removes this defining aspect.

Pandemic Legacy: Season 1
– Edited from image by BGG contributor Muse23PT

Sad News of a Little Friend

Anyone who has been to a Monster Games event or one of the group’s New Year’s Parties over the last three years will be sad to hear of the passing of our little grey host this morning.  Always very chilled out, chatty and exceptionally friendly, courteous and good natured, he will be much missed by both his guests and staff.

Barney
– Image by boardGOATS

Boardgames in the News: What is Asmodee’s Grand Plan?

Four years ago, Eurazeo bought a small French games company called Asmodee from the investment firm, Montefiore.  Asmodee were a small company hitherto primarily known for a clever little kids game called Dobble.  With the financial might of their parent company behind them, over the next few years, Asmodee proceeded to gobble up many larger, well-established companies, including Days of Wonder, Fantasy Flight Games, Z-man Games and most recently, Lookout Spiele.  Those companies produced some of the best known modern games including Ticket to Ride, Carcassonne, Pandemic, Agricola and Star Wars X-Wing Miniatures Game.  Not content with that, they also acquired the rights to the English language version of the Settlers of Catan (now known simply as “Catan”) and all the related Catan games as well as gobbling up a number of smaller and/or newer companies like Space Cowboys (producers of Splendor and Black Fleet) and Plaid Hat Games (producers of Dead of Winter and Mice and Mystics) and entering into a distribution agreement with many others.  There are now very few games companies of any substance that are not somehow tangled in the Asmodee web.

Star Wars: X-Wing Miniatures Game
– Image used with permission of BGG contributor adamfeldner

The last major purchase was F2Z Entertainment in 2016, and since then it has been relatively quiet.  With the new year comes a new wave of acquisition, however, so at the end of January Asmodee announced that they were in exclusive negotiations with Rebel.  Rebel is a relatively small, Polish company responsible for games like K2 as well as Polish editions of many popular games like 7 Wonders and Codenames.  Perhaps more importantly, Rebel also produces the Polish language versions of many of the Asmodee games and is the largest distributor in Poland.  And Poland is a big country, smaller than France or Germany, but bigger than Italy and the UK,  globally Poland is the thirty-forth largest country by population.  That is a lot of Poles and they do like playing board games in Poland.

K2
– Image used with permission
of boardgamephotos

This announcement was almost immediately followed by the bombshell that Asmodee had acquired all the residual assets from Mayfair and with it, Lookout Spiele. Although this is by far the largest deal in recent months, Asmodee have not been resting on their laurels and there has been a lot going on behind the scenes.  In December last year they announced that Esdevium was to be renamedAsmodee UK” bringing them in line with the “Asmodee North America” and “Asmodee Canada” brands.  At around the same time, Eurazeo announced that French publisher Purple Brain Créations would be joining the Asmodee Group.  Furthermore, they have also been streamlining their distribution network in North America.  Having reduced the number of distributors they deal with to five in 2015, in June last year Asmodee North America announced an exclusive distribution deal with Alliance Game Distributors, effectively creating a monopoly of supply within the USA.  This coupled with their Minimum Advertised Price policy (or MAP) gives them a stranglehold on the US market in a way that would never be allowed in Europe.  Whether they are planning to take that one step further and acquire Alliance themselves still remains to be seen, but that looks like a real possibility.  Finally, they have been pushing in a new direction, developing electronic versions of some of the most popular games through their studio, “Asmodee Digital“.

Asmodee Logo
– Image from
escapistmagazine.com

So what is Asmodee‘s Grand Plan?  Where will it all end?  Well, there are still a couple of other large manufacturers out there that are not yet part of Asmodee.  Looking at the companies they have already absorbed there is a clear trend: they typically have one particular feature that Asmodee are interested in.  In the case of Days of Wonder, that was the Ticket to Ride series, with Z-man Games it was Pandemic and Carcassonne, and with Rebel, it was probably their distribution network that caught the eye of the executives at Asmodee.  Going forward, the most obvious targets are probably Rio Grande Games, Czech Games EditionQueen GamesHans im Glük and maybe 2F, or Pegasus Spiele (who have just announced a partnership with Frosted Games).  For example, it would be surprising if Rio Grande Games have not been approached given the popularity of games like Dominion and Race/Roll for the Galaxy.  Similarly, Czech Games Edition are a small company with some very juicy morsels including Galaxy Trucker, Dungeon Lords/Petz, and the hugely successful Spiel des Jahres winner, Codenames.

Codenames
– Image by boardGOATS

Ultimately they may or may not add some or all of these to the Greater Asmodee Empire, but it is clear that at some point, eventually, there will be nothing left worth taking over and growth of the company will plateau, so what happens then?  And this is the crux of the matter. Some have speculated that the aim is to add Hasbro to Asmodee’s ever growing dominion, but Hasbro has a market value of $11.9 billion—Asmodee are mere minnows in comparison.  On the other hand, the parent company, Eurazeo are worth approximately $5.7 billion, which at least puts them in the same ball park, although even they are small by comparison.  According to the “Vision” page on the Eurazeo website:

The purpose of Eurazeo is to identify, accelerate and enhance the transformation potential of the companies in which it invests, even long after its exit. An active and committed shareholder, Eurazeo assists its holdings in the long term – 5 to 7 years – with control over exit timing. An extensive role enabling it to combine business development and corporate social responsibility.

So, it would seem that Eurazeo is not looking to hold onto Asmodee for the long haul, instead they will be looking to maximise Asmodee’s growth and then make their exit, probably in the next two to five years.  So the big question is, how are Eurazeo going to make their “controlled exit”?  With this in mind it seems unlikely that acquiring Hasbro is on the agenda, but making Asmodee attractive to Hasbro just might be…

Hasbro Logo
– Image from stickpng.com